For three male actors and a percussion player.

“The existential pain of exile, the confusions of sexual identity and the complex legacies of the Cuban revolution are predominant [in] Mr. Machado’s writing,” –The New York Times Eduardo Machado explores his lifelong themes with humor and passion in Havana Is Waiting (a writer returns to Cuba after thirty years), Kissing Fidel (a comedy set in Miami funeral parlor), The Cook (chronicling Cuban history), and Crocodile Eyes (inspired by Federico García Lorca). Eduardo Machado is the author of more than forty plays. Born in Cuba, his plays have been widely performed. He is artistic director of INTAR Theatre and head of playwriting at New York University.

A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.

"Ruth, a disillusioned writer and radical, leaves the halls of American academia to travel to Cuba. She hopes to find people there who share her beliefs and validate her struggle. It's not until her return to Columbia University that she is confronted by the realities of sacrifice and idealism."--Publisher description.

Carlos Eire's National Book Award-winning memoir of his childhood in 1950s Havana and the overnight upheaval of his world in January 1959, when the Batista government was toppled.