Since the 1950s, German artist Arnulf Rainer (born 1929) has made painterly elaborations on the form and symbolism of the cross. This splendid catalogue brings together the entire ensemble of works for the first time--61 etchings, executed between 1956 to 2009, reproduced in full color.

This comprehensive study of Anglicisms in the context of accelerated neological activity in Contemporary Metropolitan French not only provides detailed documentation and description of a fascinating topic, but opens up new vistas on issues of general linguistic interest: the effects of technology on language, the analyticity-syntheticity controversy, the lexical contribution to language vitality, the study of compound word formation, the interplay between cultural and linguistic affectivity. By investigating the dynamics of borrowing within the larger framework of general neological productivity and by bringing to bear cognitive and pragmatic considerations, a much-needed fresh approach to the entire question of Anglicisms takes shape. All pertinent phenomena regarding Anglicisms in French -- a topic which continues to command the attention of language commentators and defenders in France and elsewhere -- are explored: integral borrowings, semantic calques, structural calques, the generation of pseudo-Anglicisms and hybrids, graphological and phonological phenomena. In each case, the phenomenon is investigated in the proper context of its interaction with other pertinent neological, phonological and sociocultural developments. These include general changes in French compound word formation, modified derivational dynamics, the microsystem of pseudo-Classical morphology, historic phonological instabilities, the pressure for more synthetic types of lexical production in relation to the needs of technology and society. Rather than adhering rigidly to any single theoretical model, there is an attempt to set up a dialog between differing models in order to arrive at a multidimensional view of the phenomena investigated.

- This boxed limited edition of Haute Coiffure includes a striking bobbed wig designed by Charlie Le Mindu, and a signed edition of the book, packaged in a specially produced case- Best known for some of Lady Gaga's most outrageous wigs!- Provides an exclusive insight into the extraordinary life and achievements of Charlie Le Mindu- Lavishly illustrated with provocative photography from many eminent fashion photographers including Ellen Von Unwerth- Major publicity and press campaign planned for launch of this book on a major designer guaranteed to turn heads!Charlie Le Mindu has revolutionized hair. This comprehensive coffee-table book follows Le Mindu's journey from his humble beginnings in France, through his days cutting hair in the wild nightclubs of Berlin, to the present day - his salon in Harrods, his collections in fashion week, designing hair for Hollywood films, curating international exhibitions and counting the world's biggest stars among his fans. Lavishly illustrated with provocative photography from such eminent fashion photographers as Ellen Von Unwerth and Tim Walker, this book includes personal contributions from his most well-known clients and friends, including Lady Gaga, Drew Barrymore, and Lana del Rey.Already the darling of the industry, Le Mindu's wild style and frank persona have gained him a huge following 108k Twitter Followers / 10.5k Facebook Likes / 5k Instagram Followers.

When travel journalist Sophie Campbell squeezed into heels and a hat to investigate the English social season, she got more than she bargained for. Why, she wondered, were events such as the Chelsea Flower Show, the Royal Academy Summer Exhibition, The Derby at Epsom, Royal Ascot, the Henley Royal Regatta, Wimbledon Fortnight and Glorious Goodwood so formal, so fashionable and so famous? Her hectic and sometimes hilarious journey through the English summer proved as exotic as any tribal rite of passage as she swam the River Thames in the dark, partied with owners and trainers at Ascot, camped out for Wimbledon, joined Irish Travellers at The Derby, infiltrated the parents’ stand at the Eton v Harrow cricket match and got caught using a mobile in the Stewards’ Enclosure at Henley. En route she found a fascinating and surprisingly complex social structure dating back to the time of the Stuart monarchs and involving fashion, food, art and the marriage market. The English summer will never be the same again.

Three Faces of Beauty offers a unique approach to understanding globalization and cultural change based on a comparative, ethnographic study of a nearly universal institution: the beauty salon. Susan Ossman traces the images and words of the beauty industry as they developed historically between Paris, Cairo, and Casablanca and then vividly demonstrates how such images are embodied today in salons located in each city. By examining how images from fashion magazines, film, and advertising are enacted in beauty salons, Ossman demonstrates how embodiment is able to display and rework certain hierarchies. While offering the possibility of freedom from the tethers of status, nation, religion, and nature, beauty is created by these very categories and values, Ossman shows. Drawing on hundreds of interviews, she documents the various rituals of welcome, choice-making, pricing practices, and spatial arrangements in multiple salons . She also reveals ways in which patrons in all three cities imagine and co-opt looks they believe are fashionable in the other cities. By observing salons as scenes of instruction, Ossman reveals that beautiful bodies evolve within the intertwining contexts of media, modernity, location, time, postcolonialism, and male expectation.

Fashion is all around us: we see it, we buy it, we read about it, but most people know little about fashion as a business. Veronica Manlow considers the broader signifi cance of fashion in society, the creative process of fashion design, and how fashion unfolds in an organizational context where design is conceived and executed. To get a true insider's perspective, she became an intern at fashion giant Tommy Hilfi ger. Th ere, she observed and recorded how a business's culture is built on a brand that is linked to the charisma and style of its leader. Fashion firms are not just in the business of selling clothing along with a variety of sidelines. Th ese companies must also sell a larger concept around which people can identify and distinguish themselves from others. Manlow defi nes the four main tasks of a fashion fi rm as creation of an image, translation of that image into a product, presentation of the product, and selling the product. Each of these processes is interrelated and each requires the eff orts of a variety of specialists, who are often in distant locations. Manlow shows how the design and presentation of fashion is infl uenced by changes in society, both cultural and economic. Information about past sales and reception of items, as well as projective research informs design, manufacturing, sales, distribution, and marketing decisions. Manlow offers a comprehensive view of the ways in which creative decisions are made, leading up to the creation of actual styles. She helps to defi ne the contribution fashion fi rms make in upholding, challenging, or redefi ning the social order. Readers will fi nd this a fascinating examination of an industry that is quite visible, but little understood.

This book brings together the literature of urban sociology and film studies to explore new analytical and theoretical approaches to the relationship between cinema and the city, and to show how these impact on the realities of life in urban societies.