Hausa society in West Africa has attracted researchers’ attention for decades, and has featured in the historical record for at least 500 years. Yet, no clear picture is available of the historical trajectories that underpin Hausa ethnogenesis. This book addresses this gap, deploying interdisciplinary approaches to revisit questions to which single disciplines have given partial answers, often due to the paucity of written sources for early periods of Hausa history. Contributors draw from the disciplines of anthropology, linguistics, economic history, and archaeology to enquire into how a ‘Hausa’ identity took shape and what have been its changing material and cultural manifestations. The result is a compelling overview of one of the most iconic groups of modern West Africa.

All cultures have proverbs that capsulize subjects simply and effectively. Many of these are cross-cultural. For example, according to a Danish proverb, "The greater the fear, the nearer the danger," while a Latin proverb says, "The less there is of fear, the less there is danger." This work includes over 20,000 proverbs from more than 120 languages, nationalities and ethnic groups. The proverbs are arranged under 1,300 headings (e.g., accidents, divided loyalty, marriage, prosperity, shame), and each includes the nationality, group or language in which it originated. Comprehensive keyword and subject indexes allow access to the material in multiple ways.

Der Band entstand aus einer Kooperation von Erzählforschenden aus Benin, Ghana und Deutschland. Die Beiträge in deutscher und englischer Sprache beschäftigen sich mit Ananse, dem Spinnenmann, der zentralen Gestalt der westafrikanischen Erzähltradition sowie mit anderen Phänomenen der narrativen Kulturen in Afrika: Dabei werten sie schriftliches Material aus, präsentieren Quellen aus eigener Feldforschung, berichten über Projekte, bei denen mediale Umsetzungen von oralen Überlieferungen erprobt wurden: Rollenspiel und Theater in einer dörflichen Kommunität, zeichnerische Gestaltungen von Jugendlichen in einem städtischen Slum. Besondere Bedeutung kommt dem Film zu. Eine DVD mit Beispielen für die performative Transformation als Spielfilm ist beigefügt.

This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.