Beware horror fan, for the blood-red marker is on your hands in this brand-new coloring book format for adults! It features Pre-code comic book frights from talents like Frank Frazetta, Steve Ditko, Matt Baker, Lee Elias, Basil Wolverton, Don Heck, Jack Cole, and many more. This do-it-yourself deluge of dark delights is sure to give you goosebumps of titillation and make your hair stand straight on end. It's perfect for fans of the gruesome, gross, and macabre! 30 pages to color from the creepiest and most sordid publishers of the time!

"Comics your mother warned you about"--Cover.

Spanning the extraordinary breadth of the genre, these terrifying stories are sure to leave you sleeping with the light on for many nights to come. Whether the threat comes from accursed artefacts, supernatural villains, or deadly rituals, there is always some unknowable evil lurking around the corner waiting to pounce. Ranging from the efforts of classic literary writers like Mary Shelley and Robert Louis Stevenson to pulp icon H. P. Lovecraft, these masters of the dark arts knew how to create suspense and an impending sense of dread. Horror fiction found its first connoisseurs amongst the Victorian public. This collection features several of its most accomplished pioneers. Short stories from Mary Shelley, the author of Frankenstein, Bram Stoker, the author of Dracula, and Robert Louis Stevenson, the author of The Strange Case of Dr Jekyll and Mr Hyde, show that some of the 19th century's most revered horror novelists could provide equally terrifying experiences in a shorter form. Other authors such as H. P. Lovecraft, William Hope Hodgson, Pearl Norton Swet, and M. P. Shiel established themselves in the emerging pulp magazines of America in the early 20th century. There, they mastered their craft and provided terrifying thrills for an audience eager for a new type of fiction. Meanwhile, in the United Kingdom and Ireland, writers like Joseph Sheridan Le Fanu, E. F. Benson, and M. R. James mastered the classic ghost story. And who can forget Edgar Allan Poe? He devoted himself almost entirely to his poetry and his short stories, and his lyrical style and ability to evoke an atmosphere are unparalleled. includes stories by: Edward Frederic Benson Ambrose Bierce Francis Marion Crawford George Allan England William Hope Hodgson W. W. Jacobs M. R. James Vernon Lee Joseph Sheridan Le Fanu H. P. Lovecraft Arthur Machen Guy de Maupassant Edgar Allan Poe Charlotte Riddell Mary Shelley M. P. Shiel Robert Louis Stevenson Bram Stoker Pearl Norton Swet

“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.

Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.

Remy is a tour guide for the notoriously haunted Carrow House. The old place is a haunt for the superstitious, but Remy hasn't seen any proof of the paranormal yet. So when she's asked to host guests for a week-long stay in order to research Carrow's phenomena, she hopes to finally experience some of the sightings that made the house famous. At first, it's everything they hoped for. Then a storm moves in, cutting off their contact with the outside world, and things quickly take a sinister turn. Doors open on their own. Séances go disastrously wrong. Their spirit medium wanders through the house at night, seemingly in a trance. But it isn't until one of the guests dies under strange circumstances that Remy is forced to consider the possibility that the ghost of the house's original owner―a twisted serial killer―still walks the halls. And by then it's too late to escape…

Fourteen terrifying ghost stories chosen by the master of the macabre, Roald Dahl. 'Spookiness is the real purpose of the ghost story. It should give you the creeps and disturb your thoughts . . .' Who better to choose the ultimate in spine-chillers than Roald Dahl, whose own sinister stories have teased and twisted the imagination of millions? Here are fourteen of his favourite ghost stories, including Sheridan Le Fanu's The Ghost of a Hand, Edith Wharton's Afterward, Cynthia Asquith's The Corner Shop and Mary Treadgold's The Telephone. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.