February 27, 1986. I was looking out the window of my airplane that I caught to Chicago from Atlanta, Georgia—my first plane ride. I see nothing but snow and ice being from the south. I may have only seen snow maybe twice my whole life. Over the plane intercom, ladies and gentlemen, please return to your seats, we are preparing to land. I’m saying to myself she can’t be talking to me I’m already seated. So as we land, the stewardess says again, “Welcome to Chicago O’Hare airport. I left the plane and three other guys that I met at the Meps station in Atlanta and begin our journey by looking for the USO as we were told to do. I knew Atlanta has a big airport, but for some reasons, O’Hare seems bigger. Remember now I’m from the country, so everything I see from this point on is all good to me. We finally see the USO. We pass by this janitor glaring at us saying great mistakes, huh, uh, uh-uh. (That is what they called Great Lakes Naval Training Center back then.) We just looked at him and kept walking. Once we reach the USO, there is a guy in there telling old sea stories about his time in the navy.

Adam Decker, three former officers, and several members of their previous crew are reunited in this privateer’s sequel. The crew is once again offered ownership of a retired US Navy warship if they accept and complete the task of hunting down and capturing an old friend and their former weapons officer Cyrus Ko. Cy, now an international criminal, has organized and is leading a group of Somali pirates in raiding merchant freighters throughout the Gulf of Aden. Their adventures take the crew and their new ship around the world where they experience the glories and dangers of real-world marauding.

The 71st in the annual series of volumes devoted to Shakespeare study and production. The articles, like those of volume 70, are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Re-Creating Shakespeare'.

Poetry. ONCE MORE WITH FEELING is a collection of poems that takes us through urban and personal landscapes. It shows us particular landmarks of New York, as well as a particular New York, one lived through the experience of a speaker that boldly expresses anecdotes of all hues. This is a book about her relationship with a place that has been appropriated into a personal space. The reader is privy to the negotiations that take place in the construction of relationships. ONCE MORE WITH FEELING is an honest and gritty book that invites us to experience the connection between the self, the spaces we inhabit, and the people who share these spaces with us. Just as her 'earliest hands dug for light in wet sand, ' Tina Cane's lyric reveries uncover the treasured details of a youth steeped in New York's once-marginalized neighborhoods. Note the tensions in her 'minor histories, ' for example, the self-deprecating resolve that asserts the nobility of cultural experiences we recognize as our own even in the exactness of Cane's personal vision. ONCE MORE WITH FEELING is a mesmerizing debut come to dignify our most worldly passions.--Gregory Pardlo