Originally published by Allen & Unwin in 1930 this 3-volume collection brings together writings on the economic aspects of Japan's history. Covering the period from the 1600s until the 1920s this work offers the reader, not only an economic history of the Japanese, but also a social and political history. By explaining the realities of daily life during the periods covered, this collection allows the economic aspects to be fully appreciated.

One of the first books to focus on a city other than Edo during the Tokugawa era, this work extends our understanding of Japanese urban life during that period. Portraying Osaka as a regional center of government with vibrant economic life and high and low culture, the book reveals much about the city's distinctiveness and development.

* Nominated for the 2020 National Book Critics Circle Award * Finalist for the 2021 PEN/Jacqueline Bograd Weld Award for Biography * A vivid, deeply researched work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a great city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. Immersive and fascinating, Stranger in the Shogun’s City is a revelatory work of history, layered with rich detail and delivered with beautiful prose, about the life of a woman, a city, and a culture.

Each great samurai warlord, or daimyo, had a division of troops known as the Hatamoto, 'those who stand under the flag'. The Hatamoto included the personal bodyguards, the senior generals, the standard bearers and colour-guard, the couriers, and the other samurai under the warlord's personal command. Apart from bodyguard and other duties in immediate attendance on the daimyo, both horse and foot guards often played crucial roles in battle. Their intervention could turn defeat into victory, and their collapse meant certain defeat. As favoured warriors under the warlord's eye, members of the bodyguards could hope for promotion, and a few even rose to be daimyo themselves. All the three great leaders of the 16 and 17th centuries – including Oda, Hideyoshi and Tokugawa – had their own elite corps. Such troops were naturally distinguished by dazzling apparel and heraldry, with banners both carried and attached to the back of the armour, all of which will be detailed in an array of colour artwork specially created for this publication.

In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

An updated edition of David Lu's acclaimed "Sources of Japanese History", this book presents in a student-friendly format original Japanese documents from Japan's mythological beginnings through 1995. Covering the full spectrum of political, economic, diplomatic as well as cultural and intellectual history, this classroom resource offers insight not only into the past but also into Japan's contemporary civilisation. Three major criteria used in the document selection were that: the selection avoids duplication with other collections - 75% of the documents presented here are newly translated; a document accurately reflects the spirit of the times and the life-styles of the people; and emphasis is on the development of social, economic and political institutions.