Eager to join the working classes, Lady Rose Summer has abandoned the comforts of her parents' home to become self-supporting. But life as a working woman isn't quite what Rose had imagined---long hours as a typist and nights spent in a dreary women's hostel are not very empowering when you're poor, cold, and tired. Luckily for Rose, her drudgery comes to a merciful end when she learns of the untimely death of an acquaintance. Freddy Pomfret, a silly and vacuous young man, was almost certainly up to no good before he was shot dead in his London flat. When Rose discovers incriminating evidence pointing to several members of her class, she returns to London high society in order to investigate properly. With the help of Captain Harry Cathcart and Superintendent Kerridge of Scotland Yard, Rose prepares to do the social rounds—uncovering a devious blackmail plot and an unexpected killer. Set in Britain during the Edwardian world of parties, servants, and scandal, M. C. Beaton's Hasty Death is a delightful combination of murderous intrigue and high society.

The second in Chesney's Edwardian mystery series features Captain Cathcart, Lady Summer, and Superintendent Kerridge of Scotland Yard as they investigate the crimes of aristocrats within London society. Martin's Press.

The second in Chesney's Edwardian mystery series features Captain Cathcart, Lady Summer, and Superintendent Kerridge of Scotland Yard as they investigate the crimes of Edwardian aristocrats.

Lady Rose Summer may be a beauty, but she's still a disappointment to her parents. So when she becomes engaged to Captain Harry Cathcard, it's a relief of sorts. Rose befriends Dolly Tremaine, an exquisite country girl, but when Dolly is found floating in the river, Harry must step up and solve the mystery of her death.

In Beijing in 1904, multiple murderer Wang Weiqin became one of the last to suffer the extreme punishment known as lingchi, called by Western observers “death by a thousand cuts.” This is the first book to explore the history, iconography, and legal contexts of Chinese tortures and executions from the 10th century until lingchi’s abolition in 1905.

In the second novel in Elena Forbes’ bestselling mystery series, DI Mark Tartaglia’s investigation into a murder becomes a hunt for a possible serial killer. Hurting is her special skill. On a snowy February morning, London art dealer Rachel Tenison goes for a jog through Holland Park. Still giddy from the previous evening, her legs wobbly from too much drink and too little sleep, she falls at the bottom of an icy hill. Lying on her back, she savours the sensation of snowflakes melting on her skin and the unexpected stillness of the moment. But then there’s the sharp crack of a tree branch behind her, and a voice softly calling her name. Two days later, detectives Mark Tartaglia and Sam Donovan are assigned to the case when Rachel’s naked, frozen body is discovered in the park, bound and arranged in a strangely symbolic manner. Still haunted by “The Bridegroom,” a chillingly seductive serial killer with a penchant for lonely girls and deadly heights, they’re forced to put the past behind them as they try to catch Rachel’s murderer. But when a tip from a journalist draws their attention to grisly similarities between this and another unsolved crime, the web becomes more tangled than ever.

The present work is a fair record of work I've done on the fallacies and related matters in the fifteen years since 1986. The book may be seen as a sequel to Fallacies: Selected papers 1972-1982, which I wrote with Douglas Walton, and which appeared in 1989 with Foris. This time I am on my own. Douglas Walton has, long since, found his own voice, as the saying has it; and so have I. Both of us greatly value the time we spent performing duets, but we also recognize the attractions of solo work. If I had to characterize the difference that has manifested itself in our later work, I would venture that Walton has strayed more, and I less, from what has come to be called the Woods-Walton Approach to the study of fallacies. Perhaps, on reflection "stray" is not the word for it, inasmuch as Walton's deviation from and my fidelity to the WWA are serious matters of methodological principle. The WWA was always conceived of as a way of handling the analysis of various kinds of fallacious argument or reasoning. It was a response to a particular challenge [Hamblin, 1970]. The challenge was that since logicians had allowed the investigation of fallacious reasoning to fall into disgraceful disarray, it was up to them to put things right. Accordingly, the WWA sought these repairs amidst the rich pluralisms of logic in the 1970s and beyond.