This is the first comprehensive study in English of Czech society and politics in the High Middle Ages. It paints a vivid portrait of a flourishing Christian community in the decades between 1050 and 1200. Bohemia's social and political landscape remained remarkably cohesive, centered on a throne in Prague, the Premyslid duke who occupied it, a society of property-owning freemen, and the ascendant Catholic church. In decades fraught with political violence, these provided a focal point for Czech identity and political order. In this, the Czechs' heavenly patron, Saint Vaclav, and the German emperor beyond their borders too had a role to play. An impressive, systematic dissection of a medieval polity, Hastening Toward Prague is based on a close rereading of written and material artifacts from the eleventh and twelfth centuries. Arguing against a view that puts state or nation formation at heart, Wolverton examines interactions among dukes, emperors, freemen, and the church on their own terms, asking what powers the dukes of Bohemia possessed and how they were exercised within a broader political community. Evaluating not only the foundations and practice of ducal lordship but also the form and progress of resistance to it, she argues in particular that violence was not a sign of political instability but should be interpreted as reflecting a dynamic economy of checks and balances in a fluid, mature political system. This also reveals the values and strategies that sustained the Czech Lands as a community. The study honors the complexity and dynamism of the medieval exercise of power.

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The Latin-English bilingual volume presents the text of The Chronicle of the Czechs by Cosmas of Prague. Cosmas was born around 1045, educated in Liège, upon his return to Bohemia, he got married as well as became a priest. In 1086 he was appointed prebendary, a senior member of clergy in Prague. He completed the first book of the Chronicle in 1119, starting with the creation of the world and the earliest deeds of the Czechs up to Saint Adalbert. In the second and third books Cosmas presents the preceding century in the history of Bohemia, and succeeds in reporting about events up to 1125, the year when he died. The English translation was done by Petra Mutlova and Martyn Rady with the cooperation of Libor Švanda. The introduction and the explanatory notes were written by Jan Hasil with the cooperation of Irene van Rensvoude.T

Referring, by way of example, to the chronicler's story about a dynastic conflict in medieval Poland, this book offers an insight into the modes of using ritual as an effective tool of political action in the Middle Ages—both in the practice of political entreprising, and on the level of narrative information about that practice—and then reflects about the nature of the relationship between the reality of the written account and the reality of the practical activities described in it. It demonstrates the ways in which the reality of the narrative account and the reality of practics—ritual-in-text and ritual-in-performance—overlaid and interlaced one another, and exercised a mutual impact, thereby jointly creating a framework within which, in the earlier and high Middle Ages, political activity took place.

This is the first of two volumes containing hagiographical narratives from medieval Central Europe. The lives of the saints in this volume, from the tenth to eleventh centuries, written not much later, are telling witnesses for the process of Christianization of Bohemia, Poland, Hungary and Dalmatia. Most of them became patrons of their region and highly venerated throughout the Middle Ages. The volume presents the first English translation of a legend of each of these saints with the most recent critical edition of the Latin original and prefaces discussing the textual tradition. In an appendix the extensive hagiographical literature of the saints is being critically surveyed.

Since its foundation in the ninth century Prague has punched way above its weight to become a fulcrum of European culture. The city’s most illustrious figures in the fields of music, literature and film are well known: Mozart staged the premiere of his opera Don Giovanni here; in the early twentieth century Franz Kafka was at the forefront of the city’s intellectual life, while later writers such as Milan Kundera and film directors such as Milos Forman chronicled Prague’s fortunes under communism. Yet the city has a cultural heritage that runs far deeper than Kafka museums and Mozart-by-candlelight concerts. It encompasses the avant-garde punk group Plastic People of the Universe, the “new wave” film directors of the 1960s who made their striking movies in the city’s famed Barrandov studios, and artists such as Alfons Mucha and Frantisek Kupka whose revolutionary canvases fomented Art Nouveau and abstract art at the dawn of the twentieth century. Beyond art galleries, concert halls and cinemas the history of Prague has been one of invasion and sometimes brutal oppression. The great German chancellor Otto von Bismarck once commented that “whoever controls Prague, controls mid-Europe” and a succession of imperialist powers have taken this advice to heart, most recently Nazi Germany and the Soviet Union. Opposition has taken many forms, from the religious reformer Jan Hus in the fifteenth century to playwright and dissident Václav Havel, whose elevation to the Czechoslovak presidency in 1990 made him a symbol of the rebirth of democracy in Eastern Europe. In this book Andrew Beattie also reflects on the modern city, where bold new buildings such as Frank Gehry’s “Dancing House” rub shoulders with monuments from the Gothic and Baroque eras such as the Charles Bridge and St. Vitus’ Cathedral. He considers the suburbs too, home to world-renowned soccer and ice hockey teams, gleaming shopping centers and grim communist-era apartment blocks that are often home to Vietnamese, Romany and Muslim minority groups who live in a city with a growing international outlook. The Prague he reveals is an increasingly confident and diverse city of the new Europe.

In these four artfully crafted essays, Patrick Geary explores the way ancient and medieval authors wrote about women. Geary describes the often marginal role women played in origin legends from antiquity until the twelfth century. Not confining himself to one religious tradition or region, he probes the tensions between women in biblical, classical, and medieval myths (such as Eve, Mary, Amazons, princesses, and countesses), and actual women in ancient and medieval societies. Using these legends as a lens through which to study patriarchal societies, Geary chooses moments and texts that illustrate how ancient authors (all of whom were male) confronted the place of women in their society. Unlike other books on the subject, Women at the Beginning attempts to understand not only the place of women in these legends, but also the ideologies of the men who wrote about them. The book concludes that the authors of these stories were themselves struggling with ambivalence about women in their own worlds and that this struggle manifested itself in their writings.