Hart Island is a place outside the vision and minds of most New Yorkers, even those who have family buried there. It represents the ultimate melting pot, a place where individual lives are blended beyond recognition. Melinda Hunt

Introducing Gideon Crew: trickster, prodigy, master thief At twelve, Gideon Crew witnessed his father, a world-class mathematician, accused of treason and gunned down. At twenty-four, summoned to his dying mother's bedside, Gideon learned the truth: His father was framed and deliberately slaughtered. With her last breath, she begged her son to avenge him. Now, with a new purpose in his life, Gideon crafts a one-time mission of vengeance, aimed at the perpetrator of his father's destruction. His plan is meticulous, spectacular, and successful. But from the shadows, someone is watching. A very powerful someone, who is impressed by Gideon's special skills. Someone who has need of just such a renegade. For Gideon, this operation may be only the beginning . . .

“A sassy heroine . . . [Henrie O] says what she thinks (when it serves her purposes) and pulls no punches.”—Chicago Sun-Times When arrogant media magnate Chase Prescott is nearly killed by a box of cyanide-laced candy, he dials his long-ago lover, retired newshound Henrietta O’Dwyer Collins, with a simple request: He’ll assemble all the suspects if Henrie O will kindly point out the would-be murderer. It’s a case—her first—that fills Henrie O with grave misgivings, especially when she arrives on Chase’s private island off the South Carolina coast to meet the players in this deadly drama. Among Prescott’s unstable young wife, his sullen stepson, and his toady of a secretary, she has trouble narrowing the field of suspects—even when a second attempt is made on Chase’s life. As Henrie O unearths a will and fascinating new evidence, a killer hurricane sweeps up from Cuba, threatening to maroon them in this vacation hell . . . where the trappings of luxury are put to lethal use and the secrets of the past have the power to engulf them all.

“A well-written and comprehensive tale . . . a lively history of the people and events that forged modern-day New York City.”—The Urban Audubon Experience a seldom-seen New York City with journalists and NYC natives Sharon Seitz and Stuart Miller as they show you the 42 islands in this city’s diverse archipelago. Within the city’s boundaries there are dozens of islands—some famous, like Ellis, some infamous, like Rikers, and others forgotten, like North Brother, where Typhoid Mary spent nearly 30 years in confinement. While the spotlight often falls on the museums, trends, and restaurants of Manhattan, the city’s other islands have vivid and intriguing stories to tell. They offer the day-tripper everything from nature trails to military garrisons. This detailed guide and comprehensive history will give you a sense of how New York City’s politics, population, and landscape have evolved over the last several centuries through the prism of its islands. Full of practical information on how to reach each island, what you’ll see there, and colorful stories, facts, and legends, The Other Islands of New York City is much more than a travel guide.

Hart Island is a small island located in the Long Island Sound,off the coast of the Bronx, in New York City.It has been a public mass burial ground, a colossal "potter's field" for a million souls since 1869.The crumbling remains of its buildings once served as:a Union Civil War prison camp,a tuberculosis sanatorium,a boys' reformatory and . . . a woman's lunatic asylum.New York City, 1902Born into society, nineteen-year-old Ruby Hunt is accused of brutally killing her mother, father, and brother in their Central Park apartment. She is committed to a lunatic asylum at Hart Island for the rest of her life. Over a century later, a descendant of the Hunt family is murdered, and homicide detective Frank Mead is convinced there is a connection between the current death and that of her great aunt, Ruby. Thanks to the contents of a battered suitcase passed down from Ruby's caretaker, old photograph, letters, and a diary lead Mead on a convoluted trail of greed, deception, and murder spanning two centuries.

This lavishly illustrated book traces the life and work of Hart Wood (1880–1957), from his beginnings in architectural offices in Denver and San Francisco to his arrival in Hawaii in 1919 as a partner of C. W. Dickey and eventual solo career in the Islands. An outspoken leader in the development of a Hawaiian style of architecture, Wood incorporated local building traditions and materials in many of his projects and was the first in Hawaii to blend Eastern and Western architectural forms in a conscious manner. Enchanted by Hawaii’s vivid beauty and its benevolent climate, exotic flora, and cosmopolitan culture, Wood sought to capture the aura of the Islands in his architectural designs. Hart Wood’s magnificent and graceful buildings remain critical to Hawaii’s architectural legacy more than fifty years after his death: the First Church of Christ Scientist on Punahou Street, the First Chinese Church on King Street, the S & G Gump Building on Kalakaua Avenue, the Honolulu Board of Water Supply Administration Building on Beretania Street, and the Alexander & Baldwin Building on Bishop Street, as well as numerous Wood residences throughout the city.

THE PASOLINI BOOK documents the poet Stacy Szymaszek's engagement with the work of the Italian film director, poet, and political figure Pier Paolo Pasolini alongside her own evolving vocation as civic poet and dissenting subject within an American polis by turns hostile and hospitable. Extending the exploration of the temporally unbound, genderqueer, and disaster-prone persona of her earlier works, this volume collects two successive iterations of "felt translations," poem-for-poem rewritings, channelings, and détournements, of Pasolini's Roman Poems, undertaken over a decade apart. Separating the two suites of poems are three iterations of autofiction titled "A Sentimental Education," in which Szymaszek's Midwestern upbringing is recentered and transformed through speculative identification with Pasolini. The Pasolini Book evidences a search for a civic poetry in which the poet does not contain multitudes so much as she exudes an abundant and experimental identity emerging from long experience seeking political and artistic solidarities on the margins of institutional life. "We are all in danger," Pasolini said in an interview only hours before he was murdered; today, in the midst of capitalist ruin, Szymaszek's poetry maps the particular pains of embattled artistic autonomy and the turbulent state of social and political community. Poetry. Italian Studies. Art. LGBTQ+ Studies.