"The work and career of the celebrated artist Harry Clarke is inextricably linked to the complex nature of early-twentieth-century Irish culture and of modernism. This beautifully designed and fully illustrated book assesses how Clarke and his studios responded to public and private commissions in glass and in illustration. Clarke's contribution is analysed in the context of the quest for a cohesive identity by the new Irish Free State and situated within international art and design movements. The book examines the complex relationship between visual art and literature that lies at the heart of Clarke's contribution to post-independence society in Ireland. Its scholarly essays highlight the impact of patronage, public reception, advertising, propaganda, war and memory on Clarke's work, placing it within a larger political, artistic and cultural context. Essential reading for art lovers and scholars alike, Harry Clarke and Artistic Visions of the New Irish State will appeal to anyone interested in the arts of Ireland, and the history and development of early- to mid-twentieth-century visual and material culture"--Inside front flap.

Ireland’s Memorial Records, 1914-1918 contain the names of 49,435 enlisted men who were killed in the First World War. Commissioned in 1919 by the Lord Lieutenant of Ireland and published in 100 eight-volume sets, the Records are notable for stunning and elaborate page decorations by celebrated Irish illustrator Harry Clarke. Drawing from published and unpublished sources, Marguerite Helmers’ ground-breaking study provides a fascinating insight into the work of Harry Clarke as an extraordinary war artist and examines the process that led to the Records being commissioned through to the eventual placement of the Records within the Irish National War Memorial at Islandbridge, Dublin. With Harry Clarke’s illustrations taking center stage in the story, the Records and their genesis are of vital importance to our understanding of how art and commemoration can come together in a powerful visual creation.

Dark Beauty focuses on the minute detail in Harry Clarke’s stained-glass windows, particularly in the borders and lower panels of his work. Clarke’s brilliance as a graphic artist is clearly visible in his book illustrations, which are imbued with precise attention to intricate designs, and he applied the same lavish focus to every facet of his stained glass. The title ‘Dark Beauty’ refers to the duality of Clarke’s work that sees delicate angels juxtaposed with macabre, grotesque figures, and represents the partially hidden details that dwell in the background of his windows – motifs, accessories, flora, fauna and diminutive characters – which may be missed in light of the dominance of the central subjects. The authors spent many years photographing Clarke’s windows in Ireland, England, America and Australia, and the resulting 60,000 photos have been carefully whittled down to 500 glorious images. Dark Beauty will provide lovers of Clarke’s stained glass with the opportunity to view previously obscured or unnoticed details in all their unique beauty and inspire their own travels to view Clarke’s work.

Some thirty years since its first publication, David Caron returns with an updated and greatly expanded edition of the Gazetteer of Irish Stained Glass, the definitive guide to Irish stained glass from 1900 to the present day.This is a practical and comprehensive guide for glass aficionados and those new to the art form that lists all of Ireland's significant stained-glass works, county by county, and the most noteworthy pieces abroad by Irish artists. Beautifully illustrated with vibrant new photography, the Gazetteer of Irish Stained Glass is bursting with colour and brimming with information about our most famous stained-glass artists, those who deserve to be better known, and the best contemporary artists working in the medium today.With over 2,500 entries, two essays, and biographical notes on major artists, this is the key reference book for both academics and all who wish to learn more about Ireland's celebrated stained-glass and where it can be found.

Strangest genius

Stained glass, Symbolism, Decadence, Celtic mysticism, Art Nouveau and the Ballets Russes - all these elements claim a place in the definition of Harry Clarke. Born a century ago, this Dublin artist, son of an English father and an Irish mother, worked intensely at his art, as if conscious that death would overtake him at an early age. Clarke is now recognized internationally as a bizarre genius of his age, as the Irish Beardsley. This is the story of a questing soul with a complex imagination who produced prolifically and with outstanding originality. His skill and vision has not been equaled and this book is based on a study which won the 1984 CINOA Art History Laureate and is richly illustrated, bringing the range and importance of Clarke's work to general attention.

This book is to coincide with the National Gallery's exhibiton of the same name. With chapters from leading Irish historians, including Roy Foster, Tom Dunne and Raoisain Kennedy, 'Creating History' delivers fascinating assessments that situate the Easter Rising and Ireland's claim to independence through the historical significance and aesthetic value of Ireland's major artistic works.