Masterfully wrought and keenly observed, Mountain Path draws on Harriette Simpson Arnow’s experiences as a schoolteacher in downtrodden Pulaski County, Kentucky, deep in the heart of Appalachia, prior to WWII. Far from a quaint portrait of rural life, Arnow’s novel documents hardships, poverty, illiteracy, and struggles. She also recognizes a fragile cultural richness, one characterized by “those who like open fires, hounds, children, human talk and song instead of TV and radio, the wisdom of the old who had seen all of life from birth to death,” and which has since been eroded by the advent of highways and industry. In Mountain Path, Arnow exquisitely captures the voices, faces, and ways of a people she cared for deeply, and who evoked in her a deep respect and admiration.

The Dollmaker was originally published in 1954 to immediate success and critical acclaim. In unadorned and powerful prose, Harriette Arnow tells the unforgettable and heartbreaking story of the Nevels family and their quest to preserve their deep-rooted values amidst the turmoil of war and industrialization. When Gertie Nevels, a strong and self-reliant matriarch, follows her husband to Detroit from their countryside home in Kentucky, she learns she will have to fight desperately to keep her family together. A sprawling book full of vividly drawn characters and masterful scenes, The Dollmaker is a passionate tribute to a woman's love for her children and the land.

Harriette Arnow’s roots ran deep into the Cumberland River country of Kentucky and Tennessee, and out of her closeness to that land and its people comes this remarkable history. The first of two companion volumes, Seedtime on the Cumberland captures the triumphs and tragedies of everyday life on the frontier, a place where the land both promised and demanded much. In the years between 1780 and 1803, this part of the country presented tremendous opportunity to those who endeavored to make a new life there. Drawing on an extensive body of primary sources—including family journals, court records, and personal inventories—Arnow paints a stirring portrait of these intrepid people. Like the midden at some ancient archaeological site, these accumulated items become a treasure awaiting the insight and organization of an interpreter. Arnow also draws on a medium she believed in unerringly—oral history, the rich tradition that shaped so much of her own family and regional experience. A classic study of the Old Southwest, Seedtime on the Cumberland documents with stirring perceptiveness the opening of the Appalachian frontier, the intersection of settlers and Native Americans, and the harsh conditions of life in the borderlands.

Between the Flowers is Harriette Simpson Arnow's second novel. Written in the late 1930s, but unpublished until 1997, this early work shows the development of social and cultural themes that would continue in Arnow's later work: the appeal of wandering and of modern life, the countervailing desire to stay within a traditional community, and the difficulties of communication between men and women in such a community. Between the Flowers goes far beyond categories of "local color," literary regionalism, or the agrarian novel, to the heart of human relationships in a modernized world. Arnow, who went on to write Hunter's Horn (1949) and The Dollmaker (1952)—her two most famous works—has continually been overlooked by critics as a regional writer. Ironically, it is her stinging realism that is seen as evidence of her realism, evidence that she is of the Cumberland—an area somehow more "regional" than others. Beginning with an edition of critical essays on her work in 1991 and a complete original edition of Hunter's Horn in 1997, the Michigan State University Press is pleased to continue its effort to make available the timeless insight of Arnow's work with the posthumous publication of Between the Flowers.

An essayist, a short story writer, a novelist, and a social historian, Harriette Simpson Arnow (1908-1986) was a multifaceted writer whose work contributed significantly toward understanding the American experience. This collection of critical essays attempts to take stock of the earlier work on Arnow and to prompt new examination of this powerful and not-yet-fully-evaluated writer.

Harriette Arnow’s search for truth as early American settlers knew it began as a child—the old songs, handed-down stories, and proverbs that colored her world compelled her on a journey that informs her depiction of the Cumberland River Valley in Kentucky and Tennessee. Arnow drew from court records, wills, inventories, early newspapers, and unpublished manuscripts to write Seedtime on the Cumberland, which chronicles the movement of settlers away from the coast, as well as their continual refinement of the “art of pioneering.” A companion piece, this evocative history covers the same era, 1780–1803, from the first settlement in what was known as “Middle Tennessee” to the Louisiana Purchase. When Middle Tennessee was the American frontier, the men and women who settled there struggled for survival, land, and human dignity. The society they built in their new home reflected these accomplishments, vulnerabilities, and ambitions, at a time when America was experiencing great political, industrial, and social upheaval.

As compelling as it is turbulent, The Weedkiller’s Daughter captures a family at the center of the rapidly changing society of midcentury Detroit. Fifteen-year-old Susie greets this new era with a sense of curiosity, while her father rages against it, approaching anything and everything foreign, unconventional, or unfortunate as he does the weeds he perpetually removes from his garden. As Susie seeks escape from her parents’ increasingly restrictive world of order and monotony, she ventures deeper and deeper into a dangerously new territory. The Weedkiller’s Daughter is a gripping psychological exploration of a generation on the brink of indelible—and irreversible—transformation.