Colin Calloway offers an intricate portrait of the early American settlers who came to be known as Scotch-Irish -- from their origins on borderlands on one side of the Atlantic to their crucial part in conquering borderlands on the other. "Hard neighbors," as they were called, the Scotch-Irish were the tip of the spear of white colonial expansion into Indian lands, earning a reputation first as Indian killers and then as embodiments of the American pioneer spirit.

It is 1876, the year of the Centennial in Philadelphia. Katherine has lost her twin sister Anna in a tragic skating accident. One wickedly hot September day, Katherine sets out for the exhibition grounds to cut short the haunted life she no longer wants to live. Filled with vivid detail that artfully brings the past to life, National Book Award nominee Beth Kepart's DANGEROUS NEIGHBORS is a timeless and finely crafted novel about betrayal and guilt, hope and despair, love, loss, and new beginnings. Publisher’s Weekly Starred Review Set in Philadelphia against the back-drop of the 1876 Centennial Exhibition (the first World’s Fair in the U.S.), this atmospheric novel traces the sentiments of grief-stricken Katherine, whose identical twin sister, Anna, died in a tragic accident earlier in the year. As the novel opens, Katherine, who feels responsible for Anna’s death, has decided to take her own life. Again and again, she is drawn to the exhibition grounds. Here, futuristic marvels and unexpected events-including a disastrous fire- detain her from completing her suicidal mission. Losing herself in a throng of strangers, she examines her past, recalling the development of her sister’s secret romance with a “dangerous neighbor” and the final sequence of events that led to Anna’s death. Conjuring sharp, meticulously detailed images of fair exhibitions (“The wonders of the world slide past. Parisian corsets cavorting on their pedestals. Vases on lacquered shelves. Folding beds. Walls of cutlery. The sweetest assortment of sugar-colored pills, all set to sail on a yacht”), Kephart (The Heart is Not a Size) evokes a tantalizing portrait of love, remorse, and redemption. Ages 12-up. (Aug.)

As a young girl climbs the seven stories to her own (very boring!) apartment, she imagines what’s behind each of the doors she passes. Does the door with all the locks belong to a family of thieves? Might the doorway with muddy footprints conceal a pet tiger? Each spread reveals—in lush detail—the wilds of the girl’s imagination, from a high-flying circus to an underwater world and everything in between. When the girl finally reaches her own apartment, she is greeted by her parents, who might have a secret even wilder than anything she could have imagined!

Andrew Morrison sacrificed everything--his childhood, his education, and the girl of his dreams--to look after his alcoholic mother. But enough is enough, and now he's determined to get out and live his life. That means trading the home he grew up in for a rented room in the house of an old childhood friend-- both of which are in sorry shape. The only thing worse than Drew's squalid new digs and sullen new roommate is the envy he feels for the house next door: a picture-perfect suburban domicile straight out of Norman Rockwell, with a couple of happy householders to match. But the better acquainted he gets with his new neighbors--especially the sweet and sexy Harlow Ward--the more he suspects unspeakable darkness beyond the white picket fence. At the intersection of Blue Velvet and Basic Instinct lies The Neighbors, an insidiously entertaining tale of psychological suspense and mounting terror by the boldest new master of the form, Ania Ahlborn.

A searing portrait of suburbia, friendship, and family strained by a devotion to false appearances. In an idyllic suburb, four young families quickly form a neighborhood clique, their friendships based on little more than the ages of their children and a shared sense of camaraderie. When one of the couples, Paige and Gene Edwards, adopt a four-year-old girl from Russia, the group's loyalty and morality is soon called into question. Are the Edwards unkind to their new daughter? Or is she a difficult child with hidden destructive tendencies? As the seams of the group friendship slowly unravel, neighbor Nicole Westerhof finds herself drawn further into the life of the adopted girl, forcing Nicole to re-examine the deceptive nature of her own family ties, and her complicity in the events unfolding around her.

A woman on the run uncovers a series of deadly secrets in this gripping, twisty standalone psychological thriller from award-winning master storyteller Catriona McPherson. Lowland Glen is the oldest bookshop in a quiet Scottish town full of bookshops; rambling and disordered, full of hidden treasures. Londoner Jude fell in love with it when she visited last summer, the high point of a miserable holiday. Now, in the depths of winter, it seems a strange place to run away to - but Jude's tired and heartsick, and when the bookstore's charming but eccentric owner, Lowell, welcomes her with open arms, she knows she's made the right decision. Lowell needs an assistant, and the job comes with accommodation too. The isolated gravedigger's cottage isn't perfect for a woman alone, but it's a good place to hide from her troubles - and at least she has quiet neighbors. Quiet, but not silent. The long dead and the books they left behind have tales to tell, and the dusty bookshop is not the haven it seems. Lowell's past and Jude's present are a dangerous cocktail of secrets and lies - and someone is coming to light the taper that could burn everything down around them . . .

“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.