"This true tale of a Hollywood childhood, a fairytale role in one of television's all-time most popular shows, and a journey to dynamic and radiant health through a living-foods diet reveals author Cathy Silvers to be as enthusiastic an advocate of healthy living as "Jenny Piccolo" was boy-crazy"--Provided by publisher.

After the techno-futurism of the 1950s and the utopian 1960s vision of a “great society,” the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation’s history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation’s post-Vietnam, post-Watergate malaise, others like Roots used America’s bicentennial as an occasion for deep soul-searching. Happy Days investigates how 1970s popular culture was obsessed with America’s past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler’s Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America’s founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation’s ideological fracturing.

A lighthearted account by the award-winning producer and director of such productions as Laverne & Shirley and Pretty Woman traces his Bronx childhood, role in shaping A-list celebrity careers and personal philosophies about life and entertainment. 60,000 first printing.

When Franklin Delano Roosevelt founded the Civilian Conservation Corps in 1933, newspapers relating to the organization were launched almost immediately. Happy Days, the semi-official newspaper of the CCC, and other such publications served as soundings boards for opinions among the CCC enrollees, encouraged and instructed the men as they assumed their new roles, and generally supported the aims of Roosevelt's New Deal program. Happy Days also encouraged and instructed editors in the production of camp newspapers--well over 5,000 were published by almost 3,000 of the CCC companies from 1933 to 1942. This book considers all phases of life in the CCC throughout its existence from various perspectives, and analyzes the history of CCC camp journalism. As the author points out, the CCC newspapers were and still are significant because they provide readers with a look at American life--socially, politically, culturally and militarily--during the Great Depression. It also focuses on how Happy Days and other newspapers were created and distributed, who wrote for them, and what they contained.