Originally published in 1922, Hans Andersen Stories, is illustrated with the magnificent colour and black and white illustrations of Jennie Harbour. This collection contains some of Andersen’s best stories, including such well-known and loved tales as ‘The Emperor’s New Clothes’, ‘The Steadfast Tin Soldier’, ‘The Ugly Duckling’, ‘The Snow Queen’ and ‘The Princess and the Pea’. Hans Christian Andersen (1805-1875) was a Danish poet and author celebrated for his children’s stories, but perhaps best known for his fables and fairy tales – meant for both adults and children. They were frequently written in a colloquial style, using idioms and spoken language in a manner previously unseen in Danish literature. Though simple at first glance, Hans Andersen stories often convey sophisticated moral teachings, in equal measure heart-breaking and heart-warming. Jennie Harbour (1893 – 1950) was an immensely talented and popular illustrator. Despite this, very little is known about her life. She managed to capture the public’s imagination with her delicate and ethereal illustrations. They most commonly featured subtle yet bold washes of colour, with few of the thick black outlines so common in other illustrations of the day. Vibrant colours and Art Deco patterns full of energy and emotion characterise Harbour’s work. Presented alongside the text, Harbour’s illustrations further refine and elucidate Andersen’s captivating narratives.

Many of the earliest children's books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children.

Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen’s ‘The Snow Queen’. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, Edmund Dulac, Harry Clarke, Honor Appleton, Jennie Harbour, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and – most importantly – the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales.

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen’s ‘The Red Shoes’. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, Edmund Dulac, Harry Clarke, Honor Appleton, Jennie Harbour, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and – most importantly – the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales. ‘The Red Shoes’ was first published in April of 1845, as part of Andersen’s New Fairy Tales: First Volume, Third Collection. Andersen explained the source of the story as being an incident he had witnessed as a small child. His father, he stated, had been sent a piece of red silk by a rich lady, who wanted the material converted into a pair of dancing slippers. Andersen’s father produced the slippers, but the rich woman was horrified at the result, and in reaction to her harsh criticism, he cut the shoes up in front of her.

Originally published in 1924, this collection The Fairy Tales of Hans Christian Andersen is illustrated with the magnificent Art Nouveau colour illustrations of Kay Nielsen. It was a project that took Nielsen twelve years to complete, and his illustrations perfectly capture the other-worldly spirit of Andersen's subject matter. It includes such well-known and loved tales as 'The Snow Queen', 'The Real Princess', 'The Hardy Tin Soldier' and 'The Nightingale.' Hans Christian Andersen (1805-1875) was a Danish poet and author celebrated for his children's stories but perhaps best known for his fables and fairy tales – meant for both adults and children. They were frequently written in a colloquial style, using idioms and spoken language in a manner previously unseen in Danish literature. Though simple at first glance, the fairy tales of Hans Christian Andersen often convey sophisticated moral teachings; in equal measure heart-breaking and heart-warming. Kay Nielsen (1886-1957) was a Danish illustrator of the golden age of illustration. He was influenced by Japanese art and the Swedish folklore – becoming a crucial participant in the Art Nouveaux movement. His art is characterised by long, swooping lines, open spaces and a certain macabre, yet ephemeral quality. Presented alongside the text, his illustrations further refine and elucidate Andersen's masterful storytelling.