Many businesses have multiple projects underway at any given time. Projects for customers. Projects to improve something. Projects to maintain equipment. Projects to align the organization. Projects to find the next big money-maker. But these efforts are always subject to uncertainty. When will it be finished? Sometime between sooner and later! How much will it really cost? Probably more than we expect! Will it do everything we want it to do? Well, we sure hope so, but maybe not! And often these projects have to compete with each other for funding, for internal resources, and for priority. HANGING FIRE is about that uncertain world - your world. It is about discovering a way of thinking that enables you and your colleagues to manage the unknown, achieve predicable results in the face of uncertainty, and gain 30% to 50% in capacity with minimal or no additional investment.

“Brilliant . . . wild action . . . Hanging Fire is indeed a classic Western, but with a new twist” (True West). The devil is a woman . . . In all his days as a bounty hunter, Joe Noose never met an outlaw like Bonny Kate Valence. The notorious female gunslinger has the kind of beauty that drives men wild—and a criminal record longer than the Snake River. She also has a date with the gallows. But before anyone can put a rope around that pretty neck, Joe Noose has to bring her in alive. On the way, he’ll have to protect his prisoner from a vile ex-lover and a vengeance-seeking posse. Which puts Noose’s neck on the line, too. Especially when this female of the species is deadlier than the male. . . . Praise for Eric Red’s The Guns of Sante Sangre and The Wolves of El Diablo “In the Old West, there are bad guys and even badder guys. But Eric Red’s are the biggest baddest of all.” —Jack Ketchum, author of Off Season “Red places a premium on action. Readers will enjoy.” —Publishers Weekly “Bloody fights, desert vistas [and] a touch of romance make this a fast-paced adventure.” —Library Journal

Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the "contemporary miniature" tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective. The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today. Distributed for the Asia Society Museum Exhibition Schedule: Asia Society and Museum (9/10/09 - 1/3/10)

Ben Hunnicutt’s planned ‘together time’ in Alaska with FBI Agent Liz Nichole is interrupted by her recall to Norfolk, Virginia to work a major dope smuggling case. He reluctantly accompanies her, expecting a romantic interlude, and finds that the smugglers are operating on the lands and rivers where he grew up. His familiarity with the local people and countryside are utilized by the FBI to help in cracking the smuggling ring. During the round-up, Ben causes the death of one of a pair of murderous Irish twins who were ringleaders of the smuggling gang. On his return to Alaska, he learns that the surviving twin has escaped prison and is stalking him with vengeance in mind. His stalker is an explosives and bomb-making expert, and devises various diabolical threats designed to keep Ben in a state of fearful anxiety. FBI Agent Liz returns to Alaska to help contrive a trap, using Ben as bait, to apprehend the escaped murderer before he can carry out his scheme. The wary killer manages to stay a step ahead of his hunters, and seems destined to achieve his goal of destroying Ben. The culmination of the plot gives new meaning to the Shakespearean quotation, “Hoist by his own petard.”

A complete collection—over 300 poems—from one of this country's most influential poets. "These are poems which blaze and pulse on the page."—Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms—beautifully, forcefully—for contemporary multicultural and pluralist debate."—Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."—Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."—Out Magazine

Describes the experiences of a newcomer to the Yukon when he attempts to hike through the snow to reach a mining claim.

What Walter reads that day changes him. Not in any way someone would really notice. He still goes to school, hangs out with his friends Jimmy and Mothball, and tries to avoid the Troll, the town recluse. But something in him has changed. It's as if he can feel a part of him growing—the part that can stand by and watch a house burn down or the life flow out of a fox, without doing anything to stop either. He knows he could—should—do something to help. But some part of him keeps him glued in place, watching with fascination and curiosity. Maybe it would have been better if Walter had never found out the things he did. Maybe he didn't really want to know. But then again, maybe he did. Richly atmospheric, The Hanging Woods is at times disturbing, but it is always riveting. It's a tale of deception, delusion, and the dark places a troubled mind can go.