Col. George Wright’s campaign against the Yakima, Spokane, Coeur d’Alene, Palouse, and other Indian peoples of eastern Washington Territory was intended to punish them for a recent attack on another U.S. Army force. Wright had once appeared to respect the Indians of the Upper Columbia Plateau, but in 1858 he led a brief war noted for its violence, bloodshed, and summary trials and executions. Today, many critics view his actions as war crimes, but among white settlers and politicians of the time, Wright was a patriotic hero who helped open the Inland Northwest to settlement. “Hang Them All” offers a comprehensive account of Wright’s campaigns and explores the controversy surrounding his legacy. Over thirty days, Wright’s forces defeated a confederation of Plateau warriors in two battles, destroyed their food supplies, slaughtered animals, burned villages, took hostages, and ordered the hanging of sixteen prisoners. Seeking the reasons for Wright’s turn toward mercilessness, Cutler asks hard questions: If Wright believed he was limiting further bloodshed, why were his executions so gruesomely theatrical and cruel? How did he justify destroying food supplies and villages and killing hundreds of horses? Was Wright more violent than his contemporaries, or did his actions reflect a broader policy of taking Indian lands and destroying Native cultures? Stripped of most of their territory, the Plateau tribes nonetheless survived and preserved their cultures. With Wright’s reputation called into doubt, some northwesterners question whether an army fort and other places in the region should be named for him. Do historically based names honor an undeserving murderer, or prompt a valuable history lesson? In examining contemporary and present-day treatments of Wright and the incident, “Hang Them All” adds an important, informed voice to this continuing debate.

Col. George Wright’s campaign against the Yakima, Spokane, Coeur d’Alene, Palouse, and other Indian peoples of eastern Washington Territory was intended to punish them for a recent attack on another U.S. Army force. Wright had once appeared to respect the Indians of the Upper Columbia Plateau, but in 1858 he led a brief war noted for its violence, bloodshed, and summary trials and executions. Today, many critics view his actions as war crimes, but among white settlers and politicians of the time, Wright was a patriotic hero who helped open the Inland Northwest to settlement. “Hang Them All” offers a comprehensive account of Wright’s campaigns and explores the controversy surrounding his legacy. Over thirty days, Wright’s forces defeated a confederation of Plateau warriors in two battles, destroyed their food supplies, slaughtered animals, burned villages, took hostages, and ordered the hanging of sixteen prisoners. Seeking the reasons for Wright’s turn toward mercilessness, Cutler asks hard questions: If Wright believed he was limiting further bloodshed, why were his executions so gruesomely theatrical and cruel? How did he justify destroying food supplies and villages and killing hundreds of horses? Was Wright more violent than his contemporaries, or did his actions reflect a broader policy of taking Indian lands and destroying Native cultures? Stripped of most of their territory, the Plateau tribes nonetheless survived and preserved their cultures. With Wright’s reputation called into doubt, some northwesterners question whether an army fort and other places in the region should be named for him. Do historically based names honor an undeserving murderer, or prompt a valuable history lesson? In examining contemporary and present-day treatments of Wright and the incident, “Hang Them All” adds an important, informed voice to this continuing debate.

A killer is on the loose in the Arizona Territory. One by one, Tonto Basin ranchers are being murdered for their livestock. And the Cattle Raisers Association has hired two range detectives to catch the culprit. From the looks of them, Stovepipe Stewart and Wilbur Coleman are just another pair of high plains drifters. But with their razor-sharp detective skills and rare talent for trouble, they're the last remaining hope for one young cowboy who's been arrested for the murders.

Part autobiography, part how-to manual, superstar RuPaul comes out and comes clean with the full story of his remarkable rise and rise.

The premier practitioner of the Nahuatl annals form was a writer of the early seventeenth century now known as Chimalpahin. This volume is the first English edition of Chimalpahin's largest work, written during the first two decades of the seventeenth century.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.