Nominee! 2013 Outer Critics Circle Award, Outstanding New Broadway Musical Nominee! 2013 Outer Critics Circle Award, Outstanding New Score Nominee! 2013 Drama Desk Award, Outstanding Musical Nominee! 2013 Drama Desk Award, Outstanding Music Nominee! 2013 Drama Desk Award, Outstanding Lyrics Nominee! 2013 Drama Desk Award, Outstanding Book of a Musical Nominee! 3 Tony Awards, including Best Original Score, 2013 For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they'll fight to keep at least one hand on a brand-new truck in order to win it. In the hilarious, hard-fought contest that is "Hands on a Hardbody" only one winner can drive away with the American Dream. Inspired by the true events of the acclaimed 1997 documentary of the same name by S.R. Bindler, produced by Kevin Morris and Bindler.

Short stories by an author who offers “shrewd, bitingly funny commentary on his own privileged class” (Time). In nine stories that move between nouveau riche Los Angeles and the working class East Coast, and strike a balance between comedy and catastrophe, Kevin Morris explores the vicissitudes of modern life. Whether looking for creative ways to let off steam after a day in court or enduring chaperone duties on a school field trip to the nation’s capital, the heroes of White Man’s Problems struggle to navigate the challenges that accompany marriage, family, success, failure, growing up, and getting older. “Kevin Morris is that rare writer who bridges the class divide, illuminating the lives of working class characters and affluent professionals with equal authenticity and insight. White Man’s Problems is a revelatory collection that marks the arrival of striking new voice in American fiction.” —Tom Perrotta “The echoes here are of a former generation of American writers—John Cheever, John Updike, Raymond Carver.” —USA Today “Life undermines the pursuit of success and status in these rich, bewildering stories . . . A finely wrought and mordantly funny take on a modern predicament by a new writer with loads of talent.” —Kirkus Reviews

“Kevin Morris goes for a slam dunk in his debut novel” about the undoing of an American Dreamer in the Philly suburbs (Vanity Fair Hot Type). 1961. Outside Philadelphia, a soon-to-be father runs into a telephone pole while driving drunk; nine months later, his widow dies in a smashed-up T-Bird. From the start, the orphaned Joe Knight is a blank slate. Taken in by a kindly aunt in a tough-skinned suburb, Joe finds his family in high school with the Fallcrest basketball team. Fast-forward thirty years. Joe is divorced with a daughter and certain he’s unfit for love. Ever since selling the ad firm he built from the ground up for millions, he’s been wiling away his time at strip clubs to quiet his mind. Then Chris Scully, former Fallcrest teammate-turned DA, tips him off to a criminal probe into the buyout that got Joe rich years ago—a deal he shared with every member of the basketball team, except for Scully. As Joe’s possible transgressions unreel, he is forced to face the disillusionment inside himself and a secret that has haunted him for decades. A “remarkable and agonizing . . . incendiary look at modern life” (Esquire), All Joe Knight features “an anti-hero for our times . . . John Updike’s Rabbit Angstrom revised for the Trump era—more profane and straight-talking” (USA Today, 3/4 stars), a man who achieved the American Dream and is now scrambling to survive it.

HARDBODY: HOW TO BE ONE is a hilarious and easy-to-understand guide to the world of health and exercise. Fitness celebrity and comedian Ryan Nemeth offers tips, strategies, and stories from fitness experts, pro wrestlers, bodybuilders, athletes, and many more.

NEW YORK TIMES BESTSELLER • In the eighth book in The Iron Druid Chronicles, two-thousand-year-old Druid Atticus O’Sullivan faces the clan of vampires who have been bent on destroying him—including Leif, his former best friend turned enemy. When a Druid lives as long as Atticus does, he’s bound to run afoul of a few vampires—make that legions of them. Even his former friend and legal counsel turned out to be a bloodsucking backstabber. Now the toothy troublemakers—led by power-mad pain-in-the-neck Theophilus—are no longer content to live undead and let live. Atticus needs to make a point—and drive it into a vampire’s heart. As always, Atticus wouldn’t mind a little backup. But his allies have problems of their own. Ornery archdruid Owen Kennedy is having a wee bit of troll trouble: Turns out when you stiff a troll, it’s not water under the bridge. Meanwhile, Granuaile is desperate to free herself of the Norse god Loki’s mark and elude his powers of divination—a quest that will bring her face-to-face with several Slavic nightmares. As Atticus globe-trots to stop his vampire nemesis, the journey leads to Rome. What better place to end an immortal than the Eternal City? But poetic justice won’t come without a price: In order to defeat Theophilus, Atticus may have to lose an old friend. Don’t miss any of The Iron Druid Chronicles: HOUNDED | HEXED | HAMMERED | TRICKED | TRAPPED | HUNTED | SHATTERED | STAKED | SCOURGED | BESIEGED

Economics has often been described as "the dismal science," with TV and movies reinforcing this description. However, economics is a powerful tool that can be used to understand how the world works, helping to answer confusing puzzles and solve the world’s problems. Surprisingly, Broadway musicals are an excellent way to show this. Musicals tell engaging stories through song and many are rich with economic concepts. This book analyzes 161 songs from 90 musicals to explore what they can teach us about supply and demand, monetary policy and numerous other core economic concepts. While some songs have an obvious connection to economics, other connections may seem less apparent. When you hear "Let it Go" from Frozen, does your mind think about a firm’s production decisions? After reading this book, it will. Whether showing how Hamilton can illustrate concepts of central banking, or how "Stars" from Les Miserables provides a perfect example of inelastic demand, the author presents complicated topics in an understandable and entertaining way. Featuring classic songs from some of the most popular shows ever produced, along with some hidden gems, Broadway and Economics will be of interest to anybody studying an introductory economics course as well as theatre aficionados.

I Am My Own Wife is the winner of the 2004 Pulitzer Prize for Drama. From the Obie Award-winning author of Quills comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).