Painter's Handbook

Painter's Handbook
Title Painter's Handbook PDF eBook
Author Mark David Gottsegen
Publisher Watson-Guptill
Pages 366
Release 2006-04-01
Genre Art
ISBN 9780823034963

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Much more than just another guide to artists’ materials, The Painter’s Handbook is an amazingly useful resource, with information on everything from the canvas up: the canvas itself, plus paper, sizes and grounds, pigments and binders, solvents and thinners, varnishes and preservatives. Dozens of step-by-step recipes for make-it-yourself paints, pastels, varnishes, gessoes, sizes, supports, and equipment take this indispensable guide way beyond the competition. Authoritatively written by Mark David Gottsegen, chair of the federal government’s ASTM committee on artist’s materials, the revised Painter’s Handbook considers the enormous changes in the art-materials world since the first edition was published in 1993. New materials, new health issues, new information on outmoded and even harmful supplies and practices mean that every painter needs a copy of The Painter’s Handbook.

Glazing

Glazing
Title Glazing PDF eBook
Author Michael Wilcox
Publisher
Pages 308
Release 2014-01-01
Genre Color in art
ISBN 9780646913209

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The Digital Matte Painting Handbook

The Digital Matte Painting Handbook
Title The Digital Matte Painting Handbook PDF eBook
Author David B. Mattingly
Publisher John Wiley & Sons
Pages 663
Release 2011-04-18
Genre Computers
ISBN 1118078047

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The only how-to guide dedicated to mastering the technique of digital matte painting! Matte painting affords seamless integration between an artist’s painting with live action film footage and allows for greater flexibility and creative input in the appearance of movie settings. This unique book reveals a variety of tools and techniques that are both industry and classroom tested and will enhance your existing skill set. Veteran author and instructor David Mattingly walks you through the process of creating a matte painting, starting with rough concept sketches, working out the perspective drawing, adding light and shadow, and texturing all of the elements in the painting. You’ll gradually upgrade to using Adobe After Effects and Autodesk Maya in order to fulfill your matte painting vision. Escorts you through the process of creating a matte painting, starting with the initial concept sketch, adding light and shadow, texturing elements, and incorporating motion and depth Author is an experienced matte artist and teacher and shares a plethora of unique industry- and classroom-tested tools and techniques Features helpful step-by-step instructions accompanied by screen shots and photos to illustrate the process of creating a matte painting Whether you’re creating a background for a studio production, independent film, TV commercial, or YouTube video, The Digital Matte Painting Handbook helps you successfully complete your project. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

The Handbook of Painted Decoration

The Handbook of Painted Decoration
Title The Handbook of Painted Decoration PDF eBook
Author Yannick Guégan
Publisher W. W. Norton & Company
Pages 490
Release 1996
Genre Architecture
ISBN 9780393730012

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The essential reference for amateur and professional alike, The Handbook of Painted Decoration is the first book to cover the whole spectrum of trompe l'oeil decorative painting, from classic marbling and wood graining to ancient techniques of decorative painting that have been nearly forgotten.

The Everything Art Handbook

The Everything Art Handbook
Title The Everything Art Handbook PDF eBook
Author Walter Foster Creative Team
Publisher Quarto Publishing Group USA
Pages 243
Release 2016-09-01
Genre Art
ISBN 1633223310

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Pick up your pencil or brush and start creating with this go-to resource for artists of all skill levels, covering drawing, painting, and mixed media. A refreshing, accessible compendium of art materials and techniques, The Everything Art Handbook is the perfect all-inclusive resource for beginning artists wanting to experiment and play with a variety of art mediums and techniques. The Everything Art Handbook is divided into sections focusing on different types of mediums and art concepts. Each section includes a basic overview of the topic, instructions for selecting and working with the right tools and materials, step-by-step sample artwork, and helpful sidebars with advice from professional artists. Expand and refresh your artistic skills with such topics as: Getting started, including how to set up a studio and where to find inspiration Art fundamentals, such as value and light, perspective, and composition Color basics, including complementary colors, primaries, secondaries, and neutrals Drawing techniques for working with graphite, charcoal, colored pencil, pastel, pen and ink, and more Painting techniques for working with oil, acrylic, and watercolor Mixed media tools and techniques, including stamping, encaustics, and textures Using clear, informative explanations for achieving the best results, The Everything Art Handbook is an approachable reference guide for contemporary artists of any skill level.

Paint Contractor's Handbook

Paint Contractor's Handbook
Title Paint Contractor's Handbook PDF eBook
Author Dennis D. Gleason
Publisher McGraw-Hill Companies
Pages 0
Release 1999
Genre Computer fonts
ISBN 9780070633674

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Accompanying CD-ROM contains sample plans listed in Appendix A, drawn to scale.

Why Art Cannot Be Taught

Why Art Cannot Be Taught
Title Why Art Cannot Be Taught PDF eBook
Author James Elkins
Publisher University of Illinois Press
Pages 228
Release 2001-05-17
Genre Art
ISBN 9780252069505

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He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art--including art that takes time to complete and art that isn't serious--that cannot be learned in studio art classes.