Hallyu White Paper 2018 1. Inteoduction to the Hallyu(The Korean Wave) White Paper, 2018 2. Hallyu, Again at the starting Point 1) Hallyu and the social imaginary in the age of digital technology 2) Efficacy of Hallyu:beyond industry, beyond superpower 3) Universality and particularity of K-pop as a glocal culture 4) New media and K-pop 5) Q&A about Hallyu, the Second Story

The Routledge Handbook of Europe–Korea Relations provides a comprehensive overview of the changing dynamics in relations between Europe and Korea, provided by leading experts in the field. Informed by high-quality academic research and key trilateral data and statistics, this book brings scope, balance, and depth, with wide-ranging coverage examining the history of Europe-Korea relations, the Cold War, contemporary Europe-Korea and Europe-North Korea relations, Europe and inter-Korea relations within the regional context, and relations between European countries and the Korea. Through this approach, it increases awareness of the extent and intensity of the multi-faceted and multi-layered connections between the Europe and Korea. Finally, it proposes a way forward for a future relationship between Europe and the Koreas. As a key reference point, for advanced-level students, researchers, policy-makers and journalists producing, and consuming, new material in the area and beyond, it provides an essential understanding of both the historical backdrop to, and the current crisis in, this troubled peninsula. This Handbook will be an essential reference for scholars, students, researchers and practitioners interested and working in the fields of Asian Politics/ Studies, EU Politics/Studies, European Politics/Studies, Korean Politics/Studies and International Relations. The Routledge Handbook of Europe–Korea Relations is part of the mini-series Europe in the World Handbooks examining EU-regional relations.

The Covid-19 pandemic has forced the world to adapt to a new normality. It has caused significant changes to manyaspects of human life, including toInternational Relations dynamics and practices. The changes are noticeable in the patterns of relations among actors, the structure of the international system, as well asthe level of strategic significance certain issues hold. The transformation is inevitable;it seems to benecessary to make the world more adaptive to thisnew reality,more responsive to the demands of the pandemic, and more able to appropriately face and deal with the consequences and challenges caused by it. This phenomenon has triggeredthe construction of an array of discourse around these issues, which all needto be properly conceptualized to allow for the development of contemporary studiesin International Relations. This edited book attempts to cover it all. This book is a compilation of papers presented at the 2nd International Postgraduate Student Conference (IPGSC) organized by the Department of International Relations, Universitas Indonesia. The conference,with the theme of “Transformation of International Relations during Covid-19 Pandemic”provided a venue for IR scholars to discuss the changestothe dynamics and practicesfound in the realm of International Relations during the pandemic. The discussion wasdivided into three parts: International Security, International Political Economy, and Transnational Society. From these discussions, the book highlights three key points. Firstly, that the pandemichas undeniablycreated a bigger and more strategic space for the role and contribution of non-state actors. Secondly, ithas, at the same time, also caused an increased tendencytowards state centrism and imbalanced power relations among states as the traditional actors in IR. Thirdly, it has createda situation whichhas strengthened thefree ridercharacter of the market, manoeuvring between the interests of the people and of the state/national.

Combining global, media, and cultural studies, this book analyzes the success of Hallyu, or the "Korean Wave” in the West, both at a macro and micro level, as an alternative pop culture globalization. This research investigates the capitalist ecosystem (formed by producers, institutions and the state), the soft power of Hallyu, and the reception among young people, using France as a case study, and placing it within the broader framework of the 'consumption of difference.' Seen by French fans as a challenge to Western pop culture, Hallyu constitutes a material of choice for understanding the cosmopolitan apprenticeships linked to the consumption of cultural goods, and the use of these resources to build youth’s biographical trajectories. The book will be relevant to researchers, as well as undergraduate and postgraduate students in sociology, cultural studies, global studies, consumption and youth studies.

South Korea is best-known for its economic development, democratic transition and consolidation, vibrant civil society, and emergence as a cultural powerhouse. The Oxford Handbook of South Korean Politics presents and analyses contemporary South Korean politics, bringing together domestic political, economic, social cultural, and demographic developments and putting them in the context of trends in fellow developed countries. The Handbook is divided into seven sections: introduction; core concepts; institutions, parties, elections, and voters; civil society; culture and media; public policy and policy-making; and the international arena. The overarching premise of the Handbook is that we have to move away from traditional understandings of South Korean politics that considered them to be static, focusing instead on how and why contemporary South Korea is a vibrant and dynamic democracy in which multiple groups and ideas are represented.

A comprehensive and critical introduction to understanding the Korean Wave (Hallyu) as a transnational media phenomenon. This book provides an accessible introduction to the Korean Wave—the rapid growth of local cultural industries and the global popularity of Korean popular culture over the past 30 years—providing historical, political, economic, and socio-cultural context to its initial rise and enduring popularity. Jin explores the transnational cultural flows of Hallyu across a variety of products and digital technologies—from television dramas, film, and K-pop to online games, and webtoons—and explains the process of cross-media convergence and the socio-political contexts behind the Hallyu phenomenon. He also explores how overseas fans and audiences advance K-pop fandom as social agents in different geo-cultural contexts. The book concludes by discussing if Hallyu can become a sustainable global popular culture beyond a fan-based regional cultural phenomenon. Each chapter features detailed contemporary case studies and discussion questions to enhance student engagement. This is essential reading for students of Media and Communication, Cultural Studies, Korean Studies, and Asian Studies, particularly those taking classes on popular culture and media, media and globalization, Korean popular culture, and East Asian culture.