After wandering into an alluring Halloween party that is said to go down in history, Quinn finds herself captivated by three masked men. As she immerses herself in a night of both pleasure and pain, she finally has the opportunity to bring her darkest fantasies to life. Or death. This is a Dark Romance/Suspense, RH Novella. Scream For Us contains mature and graphic content that is not suitable for all audiences. TRIGGER WARNINGS include: graphic sexually explicit scenes, physical assault, attempted sexual assault, violence, mentions of self harm/bullying, breath play/choking, knife play, fire play, blood/gore, voyeurism, mask kink, praise/degradation kink, and murder.

Wes Craven's Scream (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-Fatal Attraction trend for Hollywood thrillers that incorporated key slasher movie tropes. Scream emerged as a spiritual successor to Wes Craven's unpopular but critically praised previous film New Nightmare (1994), which evolved from his frustration at having lost creative control over his most popular creation, Freddy Krueger, and rebirthed the character in a postmodern context. Scream appropriates many of the concepts, conceits, and in-jokes inherent in New Nightmare, albeit in a much more commercial context that did not alienate teenage audiences who were not around to see the movies that were being referenced. This Devil's Advocate offers a full exploration of Scream, including its structure, its many reference points (such as the prominent use of Halloween as a kind of sacred text), its marketing ("the new thriller from Wes Craven" – not a horror film), and legacy for horror cinema in the new millennium.

In this spinoff to the New York Times–bestselling Goosebumps series, a tween controlled by a Halloween mask goes to a theme park to escape the terror. What should Carly Beth be for Halloween this year? TERRIFIED! Late at night, an ugly green mask is mysteriously calling out to her, and ugly green masks don’t like to be ignored. If Carly Beth survives the night, even a scary theme park might sound like a vacation. Or maybe not! At HorrorLand, every night is Halloween. And those monster masks she discovers in the gift shop? They aren’t masks.

It's Halloween. No one can hear you scream when everyone's screaming. WET SCREAMS Playful scares and pranks are getting the boys and bears of Comfort Cove in the spirit for the big party on October 31st at Familiar Farm, home of the Comfort Coven. However, Deck Waxer and his partner Maru are in for some true terror. Jeff, an employee at their occult shop, has the ability to astral project. He begins to believe he is being drawn into the body of a vile beast at night-a monster that looks like a man just long enough to have sex with tricks...and then treat them to a fatal mauling. But there are no bodies to be found in the morning. Is Jeff just getting his astral and dream worlds mixed up? Deck fears not when he learns that lead Wiccan Franky and the other guys of the Comfort Coven have been keeping two men in hiding in their barn. Two men from Deck's tragic past. Two men who have a curse that makes them hairy...and man-hungry. And not in the good way. SCREAM, QUEEN! In the campy/scary/sexy novella Scream, Queen!, a creepy mama's boy invites a group of hot and horny men to his Halloween night coming out party. But the pheromones are about to turn into fear and moans (of pain!). Because also in attendance is an uninvited guest...GIMP FACE!

Jess and Jaylen enter a costume contest and must work up the courage to go through a scary haunted house.

Writer, producer, and director Wes Craven has successfully tapped into the horror vein for over forty years, serving up scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably Nightmare on Elm Street, which spawned a series of sequels and made Craven (and his creation, Freddy Kruger) an international sensation. He then created a second indelible series in the horror movie trope with Scream. In Screams & Nightmares, Brian J. Robb examines Craven's entire career, from his low-budget beginnings to his most recent box office hits, from the banned thriller The Last House on the Left and the cult classic The Hills Have Eyes to the outrageous Shocker and The People Under the Stairs. Through exclusive interviews with Craven, Robb provides in-depth accounts of the making of each of the films – including the final instalments of the Scream series – Craven's foray into writing novels, and his numerous television projects.