*Unprecedented access behindHalf-LifeandHalf-Life 2 *A forward by Valve founder Gabe Newell *Hundreds of art, design, preproduction, and other art pieces crammed into the book *Over a dozen key members of Valve's staff interviewed *Officially approved by Valve *Behind City 17 and other locations *The development of the Source engine *A rogue's gallery of beasts, characters, and monstrosities *Key weapons development revelations *A tour of many of the game's locations, from inception to completion *Filled with art, screens, and anecdotes from the Valve team

The Reverse Design series looks at all of the design decisions that went into classic video games. This is the fourth installment in the Reverse Design series, looking at Half-Life. Written in a readable format, it is broken down into six sections examining some of the most important topics to the game: 1. How Half-Life is a key step in the evolution from the composite style of videogame design to the set piece of style of design; 2. How Half-Life defined almost all of the core concepts of the cover-based shooter, and redefined the level architecture of the FPS genre; 3. The small tricks and flourishes that Half-Life used to tell a story through its mechanics, AI and environments--back cover.

Hollywood film franchises are routinely translated into games and some game-titles make the move onto the big screen. This collection investigates the interface between cinema and games console or PC.

New insights from the science of science Facts change all the time. Smoking has gone from doctor recommended to deadly. We used to think the Earth was the center of the universe and that the brontosaurus was a real dinosaur. In short, what we know about the world is constantly changing. Samuel Arbesman shows us how knowledge in most fields evolves systematically and predictably, and how this evolution unfolds in a fascinating way that can have a powerful impact on our lives. He takes us through a wide variety of fields, including those that change quickly, over the course of a few years, or over the span of centuries.

"A vigorous case for the virtues of old-fashioned literary criticism."--New York Times Book Review In his first book, Agitations: Essays on Life and Literature, which was heralded by such diverse critics as Jacques Barzun and Morris Dickstein, Arthur Krystal demonstrated that the literary essay is alive and well. Conversational in tone, but capable of addressing the political and semiotic methods adopted by the academy, Krystal's clear and allusive style constituted a reprimand to the fashionable idea that literature is the theorists' domain. His new book, The Half-Life of an American Essayist, continues to demonstrate that the literary essay in the right hands can itself be a subset of literature. Whether he's examining the evolution of the typewriter, the nature of sin, the cultural implications of physiognomy, the works of Paul Valery and Raymond Chandler, or his own ineffable laziness, Krystal's buoyant prose always speaks to the common reader. The twelve essays in Half-Life--the title is from Goethe's "Experience is only half of experience"--go deeper than the standard book piece; they hew to the line first drawn by Montaigne and later extended by Dr. Johnson, Hazlitt, Woolf, and Orwell. Although there may be no preordained way of writing about literature, Krystal takes his cue from Edwin Denby, who maintained that the first duty of the critic is to be "interesting." No matter how large the subject--whether it is the history of boxing or the growth of the Holocaust industry, Krystal paints broad subjects with precise brushstrokes. Erudite, lettristic, and informative, his essays are still accessible to the general reader. The reason is simple: as Dr. Johnson noted, "What is written without effort is in general read without pleasure." To this one might add that there is satisfaction to be had in the effort itself. How else could one write as committedly and entertainingly about Paul Valery's Cahiers as about Joe Louis's left jab?

Examines how contemporary American working- class literature reveals the long- term effects of deindustrialization on individuals and communities