"Did you know, Hajime? When girls feel good, they get wet down here."

A milestone in Japan's post-war philosophical thought and a dramatic turning point in Tanabe's own philosophy, "Philosophy as Metanoetics" calls for nothing less than a complete and radical rethinking of the philosophical task itself. It is a powerful, original work, showing vast erudition in all areas of both Eastern and Western thought.

This introduction to Tanabe Hajime (1885–1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Tanabe's central philosophical ideas and perspective on self, world, knowledge, and the purpose of philosophizing. Addressing Tanabe's life-long study of the history of Anglo-European philosophy, Takeshi Morisato explores his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death. He sets out Tanabe's belief that the Anglo-European framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in both Judeo-Christian and Mahayana Buddhist traditions. Featuring comprehensive further reading lists, discussion questions, and teaching notes, this is an ideal introductory guide to Tanabe Hajime for anyone interested in Japanese and World philosophies, as well as the early development of the Kyoto School.

This collection brings together a series of papers delivered at an international symposium on metanoetics held at Smith College, October 1989. The symposium was inspired by publication of the English translation of Tanabe Hajime's Philosophy as Metanoetics in 1986, which marked another milestone in the introduction of Japanese philosophy to the West. Nineteen representative scholars in the fields of philosophy and religion discuss the implications of metanoetics and other aspects of Tanabe's thought for our understanding of Shin Buddhism, Christianity, philosophy, and society. Among the wide variety of topics covered are the meaning of Shin Buddhism for the West, the encounter of Buddhism and Christianity, and the relation of religious philosophy to society. (c) Chisokudo Publications, 2020. Also available as an Apple ibook.

Little is known about the boy detective in Japanese detective fiction despite his popularity. Who is he, and what mysteries does he unveil about cultural understandings of youth in Japanese society? Manga, Murder and Mystery answers these questions by exploring the figure of the shonen (boy) detective in commercially successful manga series such as Detective Conan, The Case Files of Young Kindaichi, Death Note and Moriarty the Patriot. The book explores how these popular works tackle the crisis of young adult culture within the socioeconomic climate of Japan's 'lost decade' and Heisei era, broadly speaking. Mimi Okabe shows how detective manga materialized in a nation undergoing a state of crisis and how the boy detective emerged as a site of national trauma to address perceived youth problems but in thematically different ways.

After three years of advanced study in Europe at the turn of the twentieth century, during which he engaged Marxism and later steeped himself in the exciting new field of social economics, Seki was transformed into a progressive."--BOOK JACKET.

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines. It used to be assumed that Moriyama's peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.