Many contemporary philosophers are interested in the scotistic notion of haecceity or `thisness' because it is relevant to important problems concerning identity and individuation, reference, modality, and propositional attitudes. Haecceity is the only book-length work devoted to this topic. The author develops a novel defense of Platonism, arguing, first, that abstracta - nonqualitative haecceities - are needed to explain concreta's being diverse at a time; and second, that unexemplified haecceities are then required to accommodate the full range of cases in which there are possible worlds containing individuals not present in the actual world. In the cognitive area, an original epistemic argument is presented which implies that certain haecceities can be grasped by a person: his own, those of certain of his mental states, and those of various abstracta, but not those of external things. It is argued that in consequence there is a clear sense in which one is directly acquainted with the former entities, but not with external things.

This book offers an in-depth and updated examination of the nature of haecceity—that primitive entity which explains why something is distinct from other things. The book begins by exploring different conceptions of haecceity throughout history. The discussion of various figures across history is important for getting clear on the nature of haecceity and its role in individuation. The next part of the book examines different views about the nature of haecceity. The author defends a view on which haecceities have objects that instantiate them as constituents. Following that, the book considers arguments for and against the existence of haecceities, the epistemology of haecceity, and the distinction between qualitative and non-qualitative properties. About Haecceity will appeal to scholars and advanced students working in metaphysics, philosophy of language, epistemology, logic, and history of philosophy.

Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects, Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as ‘material’ for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.

Many contemporary philosophers are interested in the scotistic notion of haecceity or `thisness' because it is relevant to important problems concerning identity and individuation, reference, modality, and propositional attitudes. Haecceity is the only book-length work devoted to this topic. The author develops a novel defense of Platonism, arguing, first, that abstracta - nonqualitative haecceities - are needed to explain concreta's being diverse at a time; and second, that unexemplified haecceities are then required to accommodate the full range of cases in which there are possible worlds containing individuals not present in the actual world. In the cognitive area, an original epistemic argument is presented which implies that certain haecceities can be grasped by a person: his own, those of certain of his mental states, and those of various abstracta, but not those of external things. It is argued that in consequence there is a clear sense in which one is directly acquainted with the former entities, but not with external things.

In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defense of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form. Koslicki offers detailed answers these questions surrounding a hylomorphic approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances due to their high degree of unity.

Are there nonexistent objects? Can we make sense of objects having properties without thinking that there are nonexistent objects? Is existence a predicate? Can we make sense of necessarily existing objects depending on God? Tackling these central questions, Matthew Davidson explores the metaphysics of existence and nonexistence. He presents an extended argument for independence actualism, a previously undefended view that objects can have properties in worlds and at times at which they do not exist. Among other unique points of discussion, Davidson considers the nature of actualism, arguments for and against serious actualism, the semantics of “exists” as a predicate, the merits of different sorts of Meinongian theories, and different views on which God might ground the existence of necessarily existing abstracta. The book offers a Lewisian-style argument for adopting independence actualism in that the view may be used to solve many problems in metaphysics, philosophy of language and philosophy of religion.

This text has two main objectives: to explore how travel narrative works as a form of cross-cultural representation and to propose a critical method for its study; and to set out the ethical imperatives of travel as a mode of encounter with difference that leads to the performative enactment of becoming other.