This book traces the creation of ethnic groups in nineteenth century Guyana and its ultimate impact on the colony's political consituencies as it moved to independence. The construction of the nation in the postcolonial period is approached through an analysis of cricket, trade unions and women traders in the late 1970s and early 1980s. The author argues that ethnicity as a historical relationship can be understood as a social experience if it is viewed as part of a set of overlapping identities which include class and gender. It also contends that ethnicity in Guyana was created in colonial times and deployed as a tool for dominance which has reconfigured itself to function effectively in postcolonial times.

Provides a clear and readable account ofa formative period in the history of the region. The text is divided into two halves: the first half looks at the structure of society and covers issues of race, class and wealth, while the second half looks at four particular aspects of community life - religion, the family, education and festivals...

Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean. Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of “new imperialism,” which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era. Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.

This book is a history of the three Guianas, now known as Guyana, Suriname, and French Guiana. Though histories of each of the countries exist, this is the first work in a century to consider the three countries as a group, and thus the first to present the history of all three as a comparative and overarching study. Special emphasis has been given to the story of how each colony was administered by Britain, the Netherlands, and France respectively, and how these differing colonial administrative policies have given rise to three vastly different cultures. Because the geographical area of the Guianas is relatively small, the indigenous population at the time of contact was relatively uniform across the area, and the external pressures on the three colonies over their histories exhibited significant similarities, the book presents the Guianas as an ideal laboratory in which to study the effects of imperialism and cultural assimilation practices. The book also briefly considers the present political and cultural status of the three polities and makes some projections about their possible futures. In all, the book presents a complete history from prehistory until the present day covering the entirety of the Guianas region, relating a colorful history from a little-studied corner of the world.

Exploring faith-based organizations (FBOs) in current developmental discourses and practice, this book presents a selection of empirical in-depth case-studies of Christian FBOs and assesses the vital role credited to FBOs in current discourses on development. Examining the engagement of FBOs with contemporary politics of development, the contributions stress the agency of FBOs in diverse contexts of development policy, both local and global. It is emphasised that FBOs constitute boundary agents and developmental entrepreneurs: they move between different discursive fields such as national and international development discourses, theological discourses, and their specific religious constituencies. By combining influxes from these different contexts, FBOs generate unique perspectives on development: they express alternative views on development and stress particular approaches anchored in their theological social ethics. This book should be of interest to those researching FBOs and their interaction with international organizations, and to scholars working in the broader areas of religion and politics and politics and development.

This book describes how Guyanese Hindus recreate Indian ethnic identity in contemporary Guyana and examines how Hindu traditions have been transformed in this multi-religious and multi-ethnic society. By illustrating the exchange and consumption of clothing, the book demonstrates that the practices of wearing and gifting clothes materialize and visualize relationships. The significant outward migration of Guyanese to North America has resulted in substantial international gift exchange and transnational rituals. Applying the concept of translocality, this book demonstrates that different localities continue to influence transnational networks and socio-cultural practices. It provides a study of migration that emphasizes various aspects of material and visual closeness, conceptualizing the notion of touch.