Guy Scorpion is a gun for hire in a world that has been fighting far longer than man has existed. Heaven and Hell have been at odds for so long, angels and demons are finding it hard to see that there is a line that was drawn. Gabriel has decided that there is no one more fit to rule over Heaven than himself. With the backing of many angels in the search for God's own personal Bible that only God can see from front to back. Any other that holds and looks upon the book can only see so many pages into that individual's future. Gabriel wants this book to gain control of Heaven. Forces are forming against Gabriel behind the scenes to make sure Gabriel fails. Sometimes the enemy of our enemy.....is our friend!

Jade is trying to pick up the pieces from traumatic events three years earlier. It's been a difficult ride for her after a failed marriage and losing custody of her daughter. Though she is the real victim, that doesn't stop the psychosis of another from seeking vengeance for something Jade had no hand in. It's kill, or be killed!

Three girls from an orphanage that have becomes sisters connected to each each other by their individual abuses by men closest in their lives. Taking over their own live, they have become vigilante serial killers, killing men that abuse girls and women alike. The concept for the girls was to bring parts of personalities from the original Charlie's Angels tv series and the Power Puff girls and inspired by The Chainsaw Sally Show, with a grindhouse/b-movie flavor.

A personal archive of poetry and lyrics that I have collected over the years that were just laying around. I figured it was about time to do something with it all and this is the first book in that series. Special thanks to ""Outlaw Poet and Scholar"" Ron Whitehead for the inspiring forward!

The 1980s was the decade when the action film as it's now known came into being. Nonstop, big-budget excitement became the standard as epic adventures like Raiders of the Lost Ark and The Road Warrior set the tone for the summer blockbusters of Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. Homages (and ripoffs) made with lesser budgets followed every hit, especially with the advent of direct-to-video releases. Providing detailed commentary on 284 films, this book explores the excitement, audacity and sheer weirdness of '80s low budget action cinema, from the American Ninja series to dime-a-dozen barbarian pictures to such bargain-basement productions as The Courier of Death, Kill Squad and Samurai Cop.

Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.

When Steven Soderbergh exploded onto movie screens with sex, lies, and videotape in 1989, it represented more than the arrival of an important new director--it heralded the arrival of an entire generation of important new directors. Quentin Tarantino (Pulp Fiction), Kevin Smith (Dogma), David Fincher (Fight Club), M. Night Shyamalan (The Sixth Sense), Ben Stiller (Reality Bites), Michael Bay (Pearl Harbor), and dozens of others are all members of Generation X, the much talked about but much misunderstood successors to baby boomers. This book is a critical study of the films directed by Gen Xers and how those directors have been influenced by their generational identity. While Generation X as a whole sometimes seems to lack direction, its filmmakers have devoted their careers to making powerful statements about contemporary society and their generation's role in it. Each section of the book deals with an aspect of Gen X filmmaking, including the influence of popular culture, postmodern narrative devices, "slackerdom" and the lack of direction, disenfranchisement and nihilism, the ever-evolving role of technology, gender issues and sexuality, the question of race, the influence of older filmmakers, and visions of the future.