You can lie down and give up or you can rise and keep going... Walker’s been living life by this motto since the age of twenty when the girl he planned his future with shattered his heart and left a hole in his soul. His time in the military, and current job at In the Shadows Security, have kept him moving, but he’s always felt the ache of that loss. From the outside Ellie McMaster has led a seemingly perfect life, big house, rich adoring husband, fancy cars. But it’s all been a huge lie, one that started nineteen years ago when she walked away from her first love and the boy who stole her heart. Now time has run out for her and with nowhere to go and nothing left to lose she’ll have to face down the pain of the past in hopes of saving her future. But Trace Walker isn’t the carefree teenager she remembers, he’s now a muscle-bound titan with nothing but hurt and anger shining in his blue eyes. His time in the Army as a Night Stalker wasn’t easy, and he didn’t return home whole. Will he open himself up again and face the risks that come with having Ellie back in his life, back in his heart? Can this be their shot at a happily ever after, or their final goodbye? Note: Guts & Glory: Walker is the fourth book of the In the Shadows Security series, a six-book spin-off from my Dirty Angels MC series. It’s highly recommended to read both series in order. As with all my books, this has an HEA, no cliffhanger or cheating.

Two scarred souls: one physically, one mentally. Both on the mend, hiding from their pasts... Mace Walker can't wait to get home. Being buried deep undercover for the past two years, on the most complex case of his career, has torn him down physically and mentally. Now the FBI agent has come home to recover after having his leg badly injured from a gunshot wound. Arriving home late one night, his relief is short-lived as he's faced with a stranger pointing a gun to his head, acting like he is the one who doesn't belong there. Colby Parks, a biochemist at the local university, had come to town a year earlier to escape an abusive relationship. She vows never to put herself in that situation again. Then the perfect opportunity comes along: house-sitting for Mace's sister while making the house she purchased habitable. But she couldn't anticipate this big snag: the one wearing the tight Levi's and worn leather jacket, looking like he had just escaped prison. Being forced to share a house creates sparks between them in more ways than one. However, things take a turn when their pasts catch up to them, threatening to pull them apart forever. Note: This full-length novel is a stand-alone romance with elements of suspense. It was previously published under the title Banged Up but has been re-edited for this release. As with all my books, it does not end in a cliffhanger, doesn’t have cheating and has a guaranteed HEA.

History as Art, Art as History pioneers methods for using contemporary works of art in the social studies and art classroom to enhance an understanding of visual culture and history. The fully-illustrated interdisciplinary teaching toolkit provides an invaluable pedagogical resource—complete with theoretical background and practical suggestions for teaching U.S. history topics through close readings of both primary sources and provocative works of contemporary art. History as Art, Art as History is an experientially grounded, practically minded pedagogical investigation meant to push teachers and students to think critically without sacrificing their ability to succeed in a standards-driven educational climate. Amid the educational debate surrounding rigid, unimaginative tests, classroom scripts, and bureaucratic mandates, this innovative book insists on an alternate set of educational priorities that promotes engagement with creative and critical thinking. Features include: A thought-provoking series of framing essays and interviews with contemporary artists address the pivotal questions that arise when one attempts to think about history and contemporary visual art together. An 8-page, full color insert of contemporary art, plus over 50 black and white illustrations throughout. A Teaching Toolkit covering major themes in U.S. history provides an archive of suggested primary documents, plus discussion suggestions and activities for putting theory into practice. Teaching activities keyed to the social studies and art curricula and teaching standards Resources include annotated bibliographies for further study and lists of arts and media organizations. This sophisticated yet accessible textbook is a must-read resource for any teacher looking to draw upon visual and historical texts in their teaching and to develop innovative curriculum and meaningful student engagement.

You can lie down and give up, or you can rise and keep going... Walker's been living life by this motto since the age of twenty when the girl he planned his future with shattered his heart and left a hole in his soul. His time in the military, and current job at In the Shadows Security, have kept him moving but he's always felt the ache of that loss. From the outside Ellie McMaster has led a seemingly perfect life, big house, rich adoring husband, fancy cars. But it's all been a huge lie, one that started nineteen years ago when she walked away from her first love and the boy who stole her heart. Now time has run out for her and with nowhere to go and nothing left to lose she'll have to face down the pain of the past in hopes of saving her future. But Trace Walker isn't the carefree teenager she remembers, he's now a muscle-bound titan with nothing but hurt and anger shining in his blue eyes. His time in the Army as a Night Stalker wasn't easy, and he didn't return home whole. Will he open himself up again and face the risks that come with having Ellie back in his life, back in his heart? Can this be their shot at a happily ever after, or their final goodbye? Note: Walker is the fourth book of the Guts & Glory series, a six-book spin-off from my Dirty Angels MC series. While it's recommended to read both series in order, each book can be read as a standalone. As with all my books, this has an HEA, no cliffhanger or cheating.

It was a bolt out of the blue. The Redskins were looking for a coach to replace the disappointing Steve Spurrier. It appeared that the choice was going to come down to one of three coaches, all of whom had been fired at least once. Then, late in the evening on Tuesday, January 6, reports started to circulate that there was a new name in the mix, a magical name: Joe Gibbs. Internet boards buzzed and phones rang late into the very early hours of the next morning. There was utter disbelief at first-Gibbs turned down countless attempts to lure him back into coaching. Besides that, it's just way too good to be true. Then there was a scramble for more information. What's ESPN saying? Does the Post have anything new? After sunrise, as many bleary-eyed fans made their way to work, the various news services started confirming the story. As much as everyone wanted to believe it, there were still doubts, still fears that the deal would collapse at the last minute. Then, early in the afternoon, came a statement from Gibbs saying that he was returning to coach the Washington Redskins. Yes, Virginia-and DC, and Maryland and everywhere else on the planet where Redskins fans reside-there is a Santa Claus. There wasn't a buzz about the developments around town, there was a roar. The local media went to an all Joe Gibbs, all the time mode. People were walking the area just smiling for no apparent reason. At his introductory press conference he was treated like royalty. It was Hail to the Redskins, Hail to Joe Gibbs. In the days that followed, Gibbs continued to be the topic of conversation. One thing that many wanted to know was, "What were things like the first time around?" In the 11 years that had passed since he suddenly resigned as the Redskins coach, many new fans had begun to follow the team. Others had only dim memories of the glory days from 1981 through 1992, having lived in other areas of the country at the time-there was no Internet to allow them to follow the day to day developments, no satellite dishes to watch more than a handful of games a season. Still others were too young during all or part of Gibbs Era I to remember much of it. There are many fine books out there in which one could find out a lot about those Redskins teams. One is my book, the Redskins From A to Z, Volume 1: The Games, which has accounts of every game the team played from 1937 through 2001 including, of course, the Gibbs years. But, like most Redskins history books, there is a lot of information about the team before 1981 and more than a decade's worth of games and events since recounted. There was nothing on the market that was one-stop shopping for everything you wanted to know about the Joe Gibbs Redskins, no easy way to either get up to speed on, or refresh your memory about, the golden era of Redskins football. Instead of looking around for a resource for those starved for Gibbs information, I decided to create one. So was born Gut Check: The Complete History of Coach Joe Gibbs' Washington Redskins. Starting with the game accounts, annual statistical leader tables and annual player rosters that I had created for The Redskins From A to Z, I went about adding elements that would give the reader a solid notion of what those Redskins teams were about, what kind of character those layers had and what made Joe Gibbs tick. I had already been working on compiling information on every player in Redskins history for my second book (which will now end up being my third). Here, you get the profiles of every player who appeared in at least one game for the Redskins under Joe Gibbs. The basic information was obtained from Total Football, a giant reference book that's packed with excellent data. Details in the player profiles came from a variety of sources, including some of the excellent Redskins history books mentioned above.

In 1865, Wild Bill Hickok killed Dave Tutt in a Missouri public square in the West’s first notable "walkdown." One hundred and twenty-nine years later, Bernard Goetz shot four threatening young men in a New York subway car. Apart from gunfire, what do the two events have in common? Goetz, writes Richard Maxwell Brown, was acquitted of wrongdoing in the spirit of a uniquely American view of self-defense, a view forged in frontier gunfights like Hickok’s. When faced with a deadly threat, we have the right to stand our ground and fight. We have no duty to retreat.