In this extensive study of the changing role of Gaelic in modern Scotland, Wilson McLeod looks at the policies of government and the work of activists and campaigners who have sought to maintain and promote Gaelic.

This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.

Fresche fontanis contains twenty-five studies presenting major new research by leading scholars in Scottish culture of the late fourteenth and fifteenth, sixteenth, and seventeenth centuries. The three-part collection includes essays on the prominent writers of the period: James I, Robert Henryson, William Dunbar, John Bellenden, David Lyndsay, John Stewart of Baldynneis, William Fowler, Alexander Montgomerie, Andrew Melville and Alexander Craig. There are also essays on the Scottish romances Lancelot of the Laik, Gilbert Hay’s Buik of King Alexander the Conquerour, The Buik of Alexander, Golagros and Gawain, and the comedic Rauf Coilyear, and the Scottish fabliau The Freiris of Berwick. Chronicles of Fordun, Bower, Wyntoun and Bellenden receive fresh attention in essays concerning Margaret of Scotland, and imperial ideas during the reign of James V. Essays on anthologies, family books, and collaborative compilations make another notable group, providing in-depth analysis, with findings not previously reported, of The Book of the Dean of Lismore, the Maitland Quarto manuscript and The Delitiae Poetarum Scotorum. These studies are enlarged by others on key contextualizing topics, including noble and royal literary patronage, early Scottish printing, performance, spectatorship, and translation. Together they make a significant contribution to a full understanding of the continuities and shifts in cultural emphases during this most imaginatively productive period.

This volume contains twelve studies, all dealing with aspects of the literature and culture of Scotland during the Middle Ages and the Renaissance. Most of these contributions began life as papers delivered at an international conference on that subject, held at Rolduc Abbey, The Netherlands, in 2002. Much new light is shed on canonical Middle Scots writers: Alastair Fowler and David Parkinson, both on Gavin Douglas; David Moses on Robert Henryson; Ruben Valdes Miyares on William Dunbar. The essay by Rod Lyall, on the anonymous Three Prestis of Peblis, and that of Eleanor Commander, on the Originale Chronicle by Andrew Wyntoun, both illuminate unperceived aspects of well-known fifteenth-century texts. Both Janet Hadley Williams and Alan Swanson significantly advance our knowledge of the poet, Sir David Lyndsay. Women's contribution to culture is the subject of the essays by Marguerite Corporaal (on poetry by Queen Mary Stewart and by Mary Beaton) and of Marie-Claude Tucker (on the calligrapher Esther Inglis). In the area of Scottish Gaelic literature and culture, William Gillies explores the connections between a prose tale and poem on the topic of the land of the Little People. In the final study, Jamie Reid-Baxter contextualises and expounds a hitherto unknown Renaissance sonnet sequence, The Nyne Muses, by John Dykes. In each of the contributions in this volume rhetoric and reality loom large; royalty, the third term of the title, is the ever-present final parameter of culture in the Middle Ages and Renaissance.