At the center of the Santa Fe art scene for a half-century, Gustave Baumann (1881-1971) drew on the invigorating influences of other European and American artists, along with Native American potters and watercolor painters, to produce a wealth of woodblock prints depicting the southwestern landscape, its peoples, and their rituals. As his images grew more complex, he devised innovative printing techniques, creating luminous prints with warm, blended hues. Gustave Baumann's Southwest presents over fifty of the artist's woodblock prints and gouaches, with an essay by Joseph Traugott, curator of twentieth-century art at the Museum of Fine Arts, New Mexico. Traugott outlines Baumann's life story, dwelling on the decisive moments when the artist struck out on his own. After he turned away from his early commercial success as an advertising illustrator in Chicago, Baumann combined a modern palette and techniques both traditional and modern while depicting subjects that existed long before an industrial revolution transformed American life.

Exhibition catalog from the collection of the Museum of Fine Arts in Santa Fe.

"Contains an in-depth introduction by Martin Krause and autobiographical text written by Gustave Baumann (edited by Krause) about the time Baumann spent in Brown County, Indiana. Includes color reproductions of Baumann's work and historical photographs"--

"The autobiography of Southwestern artist Gustave Baumann, with commentary by Martin Krause, Indianapolis Museum of Art. Includes color reproductions and historical photographs"--

This book and CD package is based on interviews with key figures in the land usage rights movement.

This book reveals the technique of a man who is among the most influential and beloved printmakers of the twentieth century. Being fastidious and infinitely patient, Baumann saved many of his preliminary drawings and progressive proofs, leaving behind a fascinating and intricate story of his creative process. Hand of a Craftsman features the heretofore unpublished notes and progressives the artist compiled in the making of his extraordinary woodcut Grand Caon and includes many prints never before reproduced and rarely exhibited. Baumann's work is awash in brilliant, hand-ground pigments and reveals a style that is wholly self-reliant and free. The intriguing technique used by this meticulous master, complex but enthralling, only enhances one's appreciation for this unique colour woodcut medium.

This book is about Jock Campbell's role in the shaping of British Guiana (Guyana) towards the end of the empire. Campbell, the head of the Booker Company which owned most of the sugar plantations in colonial Guyana, was a reformer whose Fabian socialist beliefs drove him to secure major benefits for sugar workers, in the 1950s-60s. It explores the interplay between Campbell's programme of reforms and the doctrinaire Marxism of Guyana's charismatic politician Cheddi Jagan. "Sweetening bitter sugar" is part biography, part history and politics.