The first comprehensive guide to Holst's orchestral suite considers the music in detail and places the work in its historical context.

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

'The Gustav Holst Way' is the first guidebook to describe the 35-mile rambling route across the Cotswolds to celebrate the life and work of the composer Gustav Holst. Published exactly 100 years after Holst began work on The Planets, the route visits many of the places that were important to the young Holst as his musical career took wing. Among the highlights are the house in Cheltenham where he was born (now the Holst Birthplace Museum) and several venues in the Cotswolds where he played, conducted and taught music. The richly illustrated guidebook divides the walk into five easy/moderate sections (with four optional detours) and includes detailed maps, points of historical interest and all the practical information you need to follow in Gustav Holst's footsteps from Cranham to Wyck Rissington. The Holst Birthplace Museum Gustav Holst, one of England's greatest composers, was born in a Regency terraced house in Cheltenham in 1874. The house has been carefully restored and converted into a 'living museum' that captures the atmosphere of the era, both above and below stairs. The most eye-catching of the museum's collection of 3,000 items is the piano on which Holst composed The Planets, as popular as ever nearly 100 years after it was published. Step inside the Museum and see the piano Holst used to compose The Planets. Find out how he developed into a world-class composer by examining and listening to original manuscripts written when he was a schoolboy in Cheltenham. "

A leading figure of English music in the late nineteenth and early twentieth centuries, Gustav Holst is best known for his orchestral tour de force, The Planets. He composed music of startling originality in many forms, drawing inspiration from sources as varied as English folk-song, oriental melody, the Apocrypha, and Sanskrit literatures, as well as from such writers as Keats, Hardy, and Whitman. In this study of her father's music, Imogen Holst discusses Holst's pieces of the early 1890s, the musical consequences of his holiday in Algeria in 1908, problems of performance in The Planets, and editing Holt's music. The volume also includes a list of important dates in Holst's life, a list of his published work, and a bibliography.

Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.

Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall, London, by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914, but with the public success of The Planets, it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary, and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate cello part has been edited by Julian Lloyd-Webber.