Gunter Anders' Philosophy of Technology is the first comprehensive exploration of the ground-breaking work of German thinker Gunter Anders. Anders' philosophy has become increasingly prescient in our digitised, technological age as his work predicts the prevalence of social media, ubiquitous surveillance and the turn to big data. Anders' ouevre also explored the technologies of nuclear power and the biotech concerns for the human and transhuman condition which have become so central to current theory. Babette Babich argues that Anders offers important resources on streaming digital media through his writings on radio, television and film and is, unusually, both a comprehensive and profound thinker. Anders' relationship with key philosophers like Hannah Arendt and Walter Benjamin and his thinking on Goethe, Nietzsche and Rilke is also explored with a focus on the deep impact he made on his peers. It reflects specifically on the intersection of Anders' thought Heidegger and the Frankfurt school and how influential a figure he was on the landscape of 20th century philosophy. A compelling rehabilitation of a thinker with profound contemporary relevance.

A translation of the essay 'On Promethean Shame' by Günther Anders with a comprehensive introduction and analysis of his work.

Günther Anders (1902, Breslau – 1992, Vienna) studied philosophy with Husserl and Heidegger in Freiburg in the 1920s. Married to Hannah Arendt he worked in Berlin as a journalist and also wrote antifascist literature. He emigrated in 1933, first to Paris, then to the United States, where he worked and lectured at the New School for Social Research. Auschwitz, Hiroshima, and Nagasaki were the major turning points in Anders’ philosophical thinking. He returned to Europe in 1950 and settled in Vienna. He was one of the first to critically examine the Austrian victim myth. Increasingly, his primary interest turned to the issue of the growing predominance of technology in human life. In his main philosophical work Die Antiquiertheit des Menschen (1956) Anders developed what he called a ‘philosophy of discrepancy,’ an analysis of the gap between what we are able to produce and what we are able to imagine. He emerged as a central figure in the European antinuclear movement. He was also a critic of the American aggression in Vietnam. Over a long career stretching almost seventy years, Anders published numerous philosophical essays and diaries, fables, short stories, and poetry. This volume tries to recover and reintroduce the work of "the most neglected German philosopher of the twentieth century" (Jean-Pierre Dupuy). --

Gunter Anders' Philosophy of Technology is the first comprehensive exploration of the ground-breaking work of German thinker Gunter Anders. Anders' philosophy has become increasingly prescient in our digitised, technological age as his work predicts the prevalence of social media, ubiquitous surveillance and the turn to big data. Anders' ouevre also explored the technologies of nuclear power and the biotech concerns for the human and transhuman condition which have become so central to current theory. Babette Babich argues that Anders offers important resources on streaming digital media through his writings on radio, television and film and is, unusually, both a comprehensive and profound thinker. Anders' relationship with key philosophers like Hannah Arendt and Walter Benjamin and his thinking on Goethe, Nietzsche and Rilke is also explored with a focus on the deep impact he made on his peers. It reflects specifically on the intersection of Anders' thought Heidegger and the Frankfurt school and how influential a figure he was on the landscape of 20th century philosophy. A compelling rehabilitation of a thinker with profound contemporary relevance.

The aim of this work is to provide a preliminary analysis of a much more far-reaching investigation into the relationship between technology and philosophy. In the context of the contemporary German thought, the author compares the different positions of Karl Marx, Martin Heidegger, Ernst and Friedrich Jünger, Arnold Gehlen and Gunther Anders. The term “machine” is used precisely to mean that complex material device assembled in the last quarter of the 18th century as a result of the definitive modern refinement of certain fundamental technologies, i.e. metallurgy, precision mechanics and hydraulics. The “machine” discussed here arrived on the scene of man’s history when the processes of spinning and weaving were entrusted to semi-automatic means; when the water wheels used in mills, hitherto always made of wood, were supplanted by the metal levers of the steam engine; and especially when the steam engine was connected to the weaving frames, to the metalworking hammers, and to other machines used to manufacture other machines in an endless reiteration of assemblies and applications, the enormous outcome of which is what subsequently came to be described as “mass production”. The philosophers discussed here were also dealing with the type of machine described above and in their works she we can identify three model images of this idea of machine. These images have been drawn on at various times, also outside the realms of philosophy, and they still provide the backdrop for our knowledge of the machine, which has circulated in a great variety of languages.

"Gunter Anders' Philosophy of Technology is the first comprehensive exploration of the ground-breaking work of German thinker Gunter Anders. Anders' philosophy has become increasingly prescient in our digitised, technological age as his work predicts the prevalence of social media, ubiquitous surveillance and the turn to big data. Anders' ouevre also explored the technologies of nuclear power and the biotech concerns for the human and transhuman condition which have become so central to current theory. Babette Babich argues that Anders offers important resources on streaming digital media through his writings on radio, television and film and is, unusually, both a comprehensive and profound thinker. Anders' relationship with key philosophers like Hannah Arendt and Walter Benjamin and his thinking on Goethe, Nietzsche and Rilke is also explored with a focus on the deep impact he made on his peers. It reflects specifically on the intersection of Anders' thought Heidegger and the Frankfurt school and how influential a figure he was on the landscape of 20th century philosophy. A compelling rehabilitation of a thinker with profound contemporary relevance"--

In Bourdieu in Question: New Directions in French Sociology of Art, Jeffrey A. Halley and Daglind E. Sonolet offer to English-speaking audiences an account of the very lively Francophone debates over Pierre Bourdieu’s work in the domain of the arts and culture, and present other directions and perspectives taken by major French researchers who extend or differ from his point of view, and who were marginalized by the Bourdieusian moment. Three generations of research are presented: contemporaries of Bourdieu, the next generation, and recent research. Themes include the art market and value, cultural politics, the reception of artworks, theory and the concept of the artwork, autonomy in art, ethnography and culture, and the critique of Bourdieu on literature. Contributors are: Howard S. Becker, Martine Burgos, Marie Buscatto, Jean-Louis Fabiani, Laurent Fleury, Florent Gaudez, Jeffrey A. Halley, Nathalie Heinich, Yvon Lamy, Jacques Leenhardt, Cécile Léonardi, Clara Lévy, Pierre-Michel Menger, Raymonde Moulin, Jean-Claude Passeron, Emmanuel Pedler, Bruno Péquignot, Alain Quemin, Cherry Schrecker, Daglind E. Sonolet.