Gulliver's Travels has been called many things: Menippean satire children's story proto-Science Fiction and even the forerunner of the modern novel.Published seven years after Daniel Defoe's wildly successful Robinson Crusoe Gulliver's Travels may be read as a rebuttal of Defoes optimistic account of human capability. In The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man Warren Montag argues that Swift was concerned to refute the notion that the individual precedes society as Defoe's novel seems to suggest. Swift regarded such thought as a dangerous endorsement of Thomas Hobbes' radical political philosophy and for this reason Gulliver repeatedly encounters established societies rather than desolate islands. The captain who invites Gulliver to serve as a surgeon aboard his ship on the disastrous third voyage is named Robinson.Possibly one of the reasons for the book's classic status is that it can be seen as many things to many different people.Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.

Nella Larsen was an important writer associated with the Harlem Renaissance. While she was not prolific her work was powerful and critically acclaimed. Collected here are all three of her published short stories; "Freedom," "The Wrong Man," and "Sanctuary." These stories are about love, loss, mistaken identity, and death.

An adapatation for children of Swift's novel, in which Lemuel Gulliver survives a series of shipwrecks which land him in four unimaginable places: the land of the little people, the fantastic flying island, the land of the giants, and the nation ruled byintelligent horses.