A compact guide to repairing a fibreglass boat to achieve a lasting, strong and invisible repair. The equipment, tools and material you need are detailed, followed by the 8 stages of glassfibre repair: from the vital initial preparation to the final polish - all amply illustrated. Finishing with a step-by-step guide to 8 common types of repair.

First published in 1988 as West Country Cruising, Mark Fishwick's definitive sailing guide for the ever-attractive coastline of Dorset, Devon, Cornwall and the Isles of Scilly combines a skilful blend of pilotage and cruising information, with historical insight and suggestions of where to eat and what to do ashore. For those who plan to head west, this book is more than essential reading – it will enhance your enjoyment and prove to be a worthy and much used addition to the ship's library. Those already in the west will find themselves regularly thumbing its pages. Share Mark Fishwick's passion for this region which combines with his in-depth knowledge from a lifetime cruising these waters to create a text which will inspire and inform you. It is enhanced with colour charts and detailed photography, including spectacular aerial shots of ports, harbours and anchorages, many taken in 2020. This latest, ninth, edition is fully updated for publication and further updates are provided every Spring on the Fernhurst Books' website. More than one satisfied reader has aptly described the book as "the perfect on-board companion".

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.