Of all the portrait specialities, photographing group portraits is particularly demanding. How do they pose? How can everyone be kept in sharp focus and create an interesting composition? Bill Hurter, editor of Rangefinder magazine, provides a detailed study of what makes group portraiture work. Illustrated with images from over 40 top portrait photographers, this book teaches the techniques anyone can rely on to yield top-quality results.

Cited by the Nobel Prize committee as the “crown” of Heinrich Böll’s work, the gripping story of Group Portrait With Lady unspools like a suspenseful documentary. Via a series of tense interviews, an unnamed narrator uncovers the story—past and present—of one of Böll’s most intriguing characters, the enigmatic Leni Pfeiffer, a struggling war widow. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a countercultural group rebelling against Germany’s dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.

Cited by the Nobel Prize committee as the “crown” of Heinrich Böll’s work, the gripping story of Group Portrait With Lady unspools like a suspenseful documentary. Via a series of tense interviews, an unnamed narrator uncovers the story—past and present—of one of Böll’s most intriguing characters, the enigmatic Leni Pfeiffer, a struggling war widow. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a countercultural group rebelling against Germany’s dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.

Artwork from 30 of the industry's top photographers is used to highlight both clearcut shooting strategies and colorful, cutting edge approaches to family portraiture in this handbook intended for idea gathering and inspiration. Advice on focal length, perspective, and maximizing the potential of digital equipment highlights the technical aspects of family portraiture while group posing strategies demonstrate how best to flatter each subject and convey a sense of family unity. A lengthy discussion of lighting—the backbone of portraiture—and the manipulation of shadows and highlights instructs photographers on how to create mood and interest in a variety of lighting scenarios, both indoors and out. Specifics on adjusting body lines, colors, and shapes, working with young children, and creating a comfortable atmosphere ensure that the photographer captures the unique personality of each family with dynamic and attractive images.

Acclaimed photographer Ed Pedi shows you how to design family portraits that will be treasured across the decades. Beginning with location selection, Pedi shows you how to find backgrounds that suit the family’s character, whether the image is planned for outdoors, in the studio, or at the client’s home. Then, he shows how to pose the family (including the extended family, in many cases) to flatter each subject and show the relationships between the individuals. The final addition to the mix is lighting—a real challenge when larger groups are involved. Pedi demonstrates how you can handle this deftly with sunlight, interior lights, or studio lights, as well as in mixed-light situations. Packed with timeless images and practical approaches, this book is a handy reference for photographers who want to create images that will stand the test of time.

This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.