It’s the Roaring Twenties in foggy San Francisco. Prohibition is on, inhibitions are low, and dark magic is rolling into town… Archaeologist Lowe Magnusson is packing something everyone wants. The djed amulet, a priceless Egyptian artifact, will fetch Lowe a hefty paycheck from one of San Francisco’s wealthiest. But when the handsome Swede runs into his patron’s uptight daughter, what he once considered easy money becomes maddeningly complicated… Cursed with deadly spirits as her constant companions, curator Hadley Bacall must keep calm to hold her dangerous specters at bay and prevent them from lashing out at anything—or anyone. Trouble is, Lowe is driving her crazy, but her father needs the artifact he’s transporting. While Hadley can feel the amulet’s power, she can’t fathom the destruction—or the desire—it’s about to stir up.

For fans of China Mieville and Neil Gaiman. A tale of revolution in a Reykjavik fuelled by industrialised magic, populated by humans, dimensional exiles, otherworldly creatures, psychoactive graffiti and demonic familiars. A tale of revolution in a Reykjavik fuelled by industrialised magic, populated by humans, dimensional exiles, otherworldly creatures, psychoactive graffiti and demonic familiars. HERE LIES A CITY... FUELLED BY INDUSTRIALISED MAGIC. RULED BY A DESPOTIC CROWN. DEMANDING REVOLUTION. WELCOME TO REYKJAVIK Rebels and revolutionaries disappear into the infamous prison, the Nine, never to be heard from again. Masked police roam the streets, dark magic lurks in the shadows, and the implacable flying fortress casts its baleful eye over all below. Sæmundur, addict and sorcerer, has been cast out from university, and forbidden to study magic. Dissident artist, Garún, is desperate for a just society and will do anything to achieve it. Both seek revolution in their own ways. Both seek power. Together, they will change Reykjavik forever.

"A masterfully crafted, brutally compelling Norse-inspired epic." —Anthony Ryan THE GREATEST SAGAS ARE WRITTEN IN BLOOD. A century has passed since the gods fought and drove themselves to extinction. Now only their bones remain, promising great power to those brave enough to seek them out. As whispers of war echo across the land of Vigrid, fate follows in the footsteps of three warriors: a huntress on a dangerous quest, a noblewoman pursuing battle fame, and a thrall seeking vengeance among the mercenaries known as the Bloodsworn. All three will shape the fate of the world as it once more falls under the shadow of the gods. Set in a brand-new, Norse-inspired world, and packed with myth, magic, and vengeance, The Shadow of the Gods begins an epic new fantasy saga from bestselling author John Gwynne.

For those who hunger for small bites of horror sweetened with black humor, this collection of Grim Tales and Gothic Fancies offers a satisfying repast: morbidly playful riffs on the faerie tales of the Brothers Grimm; darkly exquisite Gothic fables in both prose and verse; and hell-raising evocations of beings both demonic and diabolic. A rich feast of horrors leavened with wit, Book of Shadows offers a delicious glimpse into the decadent heart and mordant mind of Manuel Arenas. In "The Sanguinary Saga of Morbidezza Vespertilio, Vampiress," Arenas inverts "Sleeping Beauty" with more than a touch of Gothicism in the style of Hammer horror. With "Rosaire, Master of Wolves," he shows us the dark genesis and bloody destiny of a born werewolf. A lighter touch is used in "Gothilocks," a playfully sardonic update on "Goldilocks and the Three Bears." The dread demon of Christmas makes an appearance in "Greetings from Krampus," and in "Nativity in Black: An Anti-Christmas Story," we are presented with a dark celebration featuring all creatures great and infernal in a pageant-quite literally-from Hell. This volume is sumptuously illustrated by Dan Sauer, whose surreal images heighten the effect of the dark fantasies contained herein.

When their mistress is murdered, Anouk and her fellow beasties have only three days until their enchantment ends and they are transformed back into animals, but in seeking to remain human, they threaten the hierarchy imposed by the society of magic handlers in Paris called the Haute.