"Lauren has created a new series that will capture you from page one! Grigori is exactly what a dragon should be. Smoking hot, sexy, and wickedly dangerous. You're going to love this book!" - New York Times bestselling author Alexandra Ivy He’s one of the last of a powerful but vanishing bloodline ... Grigori Barinov is the eldest in an ancient line of dragon shifters and the guardian of his family’s lands and fortune. Sworn to protect their history and magic, he won’t rest until he neutralizes any threat to their existence. When he discovers an ancient manuscript that exposes his family and their dragon lineage has fallen into a mortal woman’s hands, he knows he must get the book back by any means necessary. If that means seducing a nosy American woman with an intoxicating scent, he is more than willing to carry her off to his palatial home deep in the heart of Russia. She’s the one woman who could expose him to the world... Madelyn Haynes has never fit in. As an adopted child she grew up in a loving home but never felt as though she belonged. Plagued by mysterious dreams she’s had of a silver scaled beast ever since she was a little girl, she is convinced dragons are real. While in Russia working on her PhD in mythology in order to escape the ridicule from fellow professors, she unexpectedly crosses paths with the sexy and dominating Grigori, and after just one night with the man whose eyes seem to burn, she starts to change inside. Isolated in the Russian wilderness Grigori calls home, Madelyn can’t help but fall under his sensual spell, yet something deep inside her calls out that she can’t trust him. She has to show the world dragons are real to salvage academic reputation, even if it means costing her the heart of the dragon she’s falling in love with.

Dragons are real. They live among us. But not for much longer... Strong and powerful Grigori Barinov never thought his very existence could be erased by a mortal woman. But when she discovers proof of his magical bloodline, she threatens to expose him and the rest of the dragon shifters to the world in order to save her job. He kidnaps the woman and carries her off to his lonely palace in Russia. He’s prepared to do whatever it takes to stop her from going public with his fatal secret. He’ll murder, manipulate, imprison... Anything... Except fall in love.

I like things neat, so shoot me. Or poison me. Or run me through with a broadsword. Doesn’t matter how you try to end me, werewolves are immortal. Back to liking things neat… I’ve been killing forever, both as a wolf and as a man. The assassin trade has always been lucrative, and, a few hundred years back, a much simpler affair. No DNA tests. No sophisticated crime labs. I didn’t have to plan the way I do today to avoid detection. Not that it would matter if I were apprehended. I’d just vanish to a borderworld for a while and resurface once the heat died down. Mostly, I deal with supernatural enemies these days. Keeps things cleaner. But this book isn’t about today. It’s about long ago. I’ve done my damnedest to instill pride and standards into the assassin trade. And bond animals. Their principles definitely add class to the mix. Building the Circle was an uphill battle. I almost gave up more times than I can count, but nothing worthwhile comes easy. The Circle of Assassins became my life’s work. Didn’t plan it that way, but life happens. Life, bloodthirsty mages, and the bond animals who adore them. Author note: This book can be read as a standalone, but for the best experience, you might want to read the first four books in this series.

Sizing Shakespeare to the compressed view of the camera lens is no small feat. This undertaking is covered in these pages, which reveal a remarkable director’s kaleidoscopic vision as he takes a text from stage to film. Out of this emerge new ways for an ordinary reader to view Shakespeare, and a greater understanding for those who teach his plays, particularly the challenging King Lear. Critic Richard Dyer of the Boston Globe wrote of Grigori Kozintsev’s work, “Paradoxically, the two most powerful films of Shakespeare plays were made not in Great Britain but in the Soviet Union.” Acclaim for Hamlet and King Lear has been universal. Sir Laurence Olivier ranked the lead actor Innokenti Smoktunovsky as the best Hamlet, better than his own portrayal. Grigori Kozintsev was born in 1905 in Kiev, and died unexpectedly in 1973 in Leningrad, now St. Petersburg, only months after King Lear was screened in America.

The work "Educational System of Grigori Grabovoi" was created by Grigori Petrovich Grabovoi in February, 2000

Book two in the Angelarium series.This artbook is a chronicle of Enoch, a living man wandering the world of Angels. Seeking a path home, Enoch witnesses a rogue order of Angels invading his home and threatening the existence of humanity. The book includes illustrations, poetry, and short stories centering around the fallen Angels known as the Watchers.