Fulke Greville's reputation has always been overshadowed by that of his more famous friend, Philip Sidney, a legacy due in part to Greville's complex moulding of his authorial persona as Achates to Sidney's Aeneas, and in part to the formidable complexity of his poetry and prose. This volume seeks to vindicate Greville's 'obscurity' as an intrinsic feature of his poetic thinking, and as a privileged site of interpretation. The seventeen essays shed new light on Greville's poetry, philosophy, and dramatic work. They investigate his examination of monarchy and sovereignty; grace, salvation, and the nature of evil; the power of poetry and the vagaries of desire, and they offer a reconsideration of his reputation and afterlife in his own century, and beyond. The volume explores the connections between poetic form and philosophy, and argues that Greville's poetic experiments and meditations on form convey penetrating, and strikingly original contributions to poetics, political thought, and philosophy. Highlighting stylistic features of his poetic style, such as his mastery of the caesura and of the feminine ending; his love of paradox, ambiguity, and double meanings; his complex metaphoricity and dense, challenging syntax, these essays reveal how Greville's work invites us to revisit and rethink many of the orthodoxies about the culture of post-Reformation England, including the shape of political argument, and the forms and boundaries of religious belief and identity.

The English Civil War tests the bonds between a lord and lady engaged to be married in this historical romance. Years before, he had come to Grafton Manor to be betrothed to the innocent and beautiful Lady Anne—a promise that was broken with the onset of war. . . . Now Simon, Lord Greville, has returned as an enemy, besieging the manor and holding its lady hostage. Simon’s devotion to his cause swayed by his desire for Anne, he will not settle for the manor house alone. He will have the lady—and her heart—into the bargain! Yet Anne has a secret that must be kept from him at all costs. . . .

This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.

Beretning om spionerne Greville Wynne og Oleg Penkovskij

Shakespeares -- and Guillims -- in Gloucestershire? That is the question. This search for Shakespeare connections with Gloucestershire grew out of the 1581 will of Alexander Houghton of Houghton Tower, Lancashire, that named two men, Fulke Guillim and William Shakeshafte, who were probably members of Houghton's private acting group. It seemed probable that identifying Fulke Guillim could help determine if William Shakeshafte was actually William Shakespeare, as proposed by E.A.J. Honigmann and many subsequent authors. Might Guillim be related to John Guillim, the herald, of Minsterworth, Gloucestershire, author of The Display of Heraldry of 1610? Upon learning that John Guillim was descended from a Hathaway family in Minsterworth, the question became more compelling. The search eventually uncovered numerous ties between William Shakespeare and Gloucestershire through his mother's Arden relatives, through neighbors in Stratford such as the Lucys and the Grevilles, and through Shakespeare's friends, such as Thomas Russell, overseer of Shakespeare's will, all of whom had extensive and long-standing family histories in Gloucestershire. In addition, branches of the Shakespeare family were established in Gloucestershire, particularly in Dursley, and Tewkesbury before, during, and after Shakespeare's time. Dursley is about twelve miles from Minsterworth, and Tewkesbury is about twenty-eight miles south of Stratford and about fifteen miles north of Minsterworth, so the Gloucestershire Shakespeares very possibly knew the Guillim family. While this search did not reveal any relationship between Shakespeare and John Guillim, the herald, it did uncover important connections many families had with Gloucestershire and with Shakespeare, ties that often lead to the Guillims: Hathaway, Throckmorton, Catesby, Russell, Denys, Wriothesley, Greville, Lucy, Winter, Berkeley, and others.

Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics. Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.