Published to accompany an exhibition held at Skarstedt Fine Art, New York, 8 November - 20 December 2006.

Although these series illustrate distinct subject matter, they share Crewdson's unique preoccupations and compelling aesthetic. "Fireflies" is the result of two solitary summer months spent photographing the fireflies that came alive at dusk each evening. "Beneath the Roses" depicts the homes, streets, and forests of unnamed small towns, revealing emotionally charged moments in the lives of seemingly ordinary individuals. In "Sanctuary," haunting images of the legendary Italian film studio Cinecitta capture the beauty of the decaying film sets. Texts from curators of the exhibition and Crewdson himself offer fresh insight and examine the parallels between these seemingly disparate subjects. Celebrating some of the artist's greatest work, this volume is a must-have for any Crewdson fan and the perfect introduction to those discovering him for the first time. Praise for Gregory Crewdson: In a Lonely Place "Whether one is exploring Crewdson's work for the first time, or revisiting his images, text from both the artist himself and the curators involved gives the reader a personal interaction with Crewdson that illustrates his passion for capturing the lives of others." --Huffington Post

A comprehensive survey of the work of one of America's best-known photographers. Renowned for his melancholic, dramatic and painterly images of small-town America, Gregory Crewdson has evolved over a nearly thirty-year career into one of the world's most acclaimed photographers.

Cathedral of the Pines presents Gregory Crewdson's first new body of work in over five years. The series marks a return to Crewdson's classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged imagery. It also marks a time of transition for the artist, including a retreat from New York to a remote home and studio in western Massachusetts--a period of time during which Crewdson chose to remain socially withdrawn, instead committing to daily, long-distance, open-water swims and cross-country skiing on wooded paths. Cathedral of the Pines is named after one of these trails, deep in the forests of Becket, Massachusetts, the site where he found the inspiration to make these new pictures. It was there that he felt darkness lift, experienced a reconnection with his artistic process, and moved into a period of renewal and intense creative productivity. The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which "all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson's scenes gathered the unruly sorrows and other little-guessed feelings of people long gone who once stood on those spots." Gregory Crewdson (born 1962) is a graduate of SUNY Purchase and the Yale School of Art, where he is now Director of Graduate Studies in Photography. His series Beneath the Roses is the subject of the 2012 documentary Gregory Crewdson: Brief Encounters. His work has been exhibited widely in the US and Europe, including a survey that toured throughout Europe from 2001 to 2008. He is represented by Gagosian Gallery, New York.

A private eye stalks a serial killer through the streets of a permanently dark world in this mind-bending sci-fi thriller from one of the genre’s most visionary authors Below the neon skies of Dayzone—where the lights never go out, and night has been banished—lowly private eye John Nyquist takes on a teenage runaway case. His quest takes him from Dayzone into the permanent dark of Nocturna. As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.

This volume chronicles Gregory Crewdson's Twilight series, elaborate tableaux that capture bizarre surrealities behind deceptively familiar suburban facades. The images are accompanied by an essay from Rick Moody, a novelist renowned for exposing the underbelly of small-town, middle-class America.