A mind-boggling tale of inspired crime and brotherly betrayel told by Firoze Peer - amateur philosopher and mystic, artful memoirist, green-eyed conspirator. Born into a crooked Johannesburg family and raised in the tradition of family solidarity and trust, Firoze and his identical twin brother, Ashraf, are employed from an early age in the family business. Firoze has the finer mind - he keeps the books and is encouraged to study mathematics by his uncle, Ten Percent Farouk. Ashraf has a talent for drawing which is, initially, put to use in the diamond trade in the creation of counterfeit certificates of rare artistry. From such beginnings, the brothers' lives progress through experiences that span the globe: from a masterful heist at Sun City to a wild pursuit on the Pakistan border to forging passports for terrorists to stealing expensive suits at a Monaco hotel to appearing at the White House under false pretences. Green-eyed Thieves has everything a reader could want: fast-paced action, a startling conclusion, and an investigation of the most frightening idea that Firoze can imagine: the idea that all men are brothers. More than that, it offers a pleasure that may well be greater than the illicit joys of the brothers' lives - the bliss of language.

Unforgiveable betrayals, devious motives, and forbidden love collide in the first installment of internationally bestselling author Sally Green's epic new fantasy series, perfect for Game of Thrones fans. In a land tinged with magic and a bustling trade in an illicit supernatural substance, destiny will intertwine the fates of five players: A visionary princess determined to forge her own path. An idealistic solider whose heart is at odds with his duty. A streetwise hunter tracking the most dangerous prey. A charming thief with a powerful hidden identity. A loyal servant on a quest to avenge his kingdom. Their lives intersect with a stolen bottle of demon smoke. As war approaches, they must navigate a tangled web of political intrigue, shifting alliances, and forbidden love in order to uncover the dangerous truth about the strangely powerful smoke that interwines their fates.

The heart-pounding conclusion to the daring Smoke Thieves trilogy. In this conclusion to the epic Smoke Thieves trilogy, the world has erupted into all-out war. King Aloysius is mining powerful demon smoke and using it to fuel an unstoppable army of children. March, now banished for treason, has joined up with this boy army. Forbidden from ever seeing Edyon again, and overwhelmed by his own betrayal, March no longer cares if he lives or dies. Catherine--now queen of Pitoria--must find a way to defeat the boy army, while also grappling with her own troubles: her secret demon smoke addiction, and unresolved tension with her former lover, Ambrose. Catherine seeks military support from Calidor by reaching out to her illegitimate cousin Edyon, who has been proclaimed heir to the Calidorian throne. But Edyon has almost no power as he's entangled in the unfamiliar machinations and manipulations of the royal court, finding that being the claimed son of a prince may be no easier than being a bastard. With Catherine, his love, now married off and moving on, and his brother and sister tortured and executed before him, Ambrose doesn't know what his role in this world is any more. He leads an expedition into the demon world, hoping to destroy the boy army's stores of demon smoke. In this underground world, he runs into Tash, whom everyone had believed dead. She has survived in this new world using magical abilities that, prior to now, only demons had. Aloysius will send his demon smoke-powered boy army to kill them all, if he can. But what nobody knows is that there is more to the smoke than meets the eye...

Experience the mystery and intrigue of crime scene investigation through different types of data that investigators collect to solve a case. CSI's examination of fingerprints, blood type, DNA, and lie detectors as well as the five Ws (who, what, when, where, and why) reveal important concepts of data analysis.

Shortlisted for the ALS Gold Medal 2019 ‘A gentle whisper from the past Visits me in my dreams Or is it the future that I see ... ’ From well-known poets John Kinsella and Charmaine Papertalk-Green comes a tête-à-tête that is powerful, thought provoking, and challenges what we think we know about our country, colonisation, and how we understand our land. Striking conversations surrounding childhood, life, love, mining, death, respect, and diversity; imbued by silken Yamatji sensibility and sublimely responded to by the son of a foreman from South Champion Mine. This extraordinary publication weaves two differing points of view together as Papertalk-Green and Kinsella’s words traverse this land and reflect back to us all, our many identities and quiet voices.

An analysis of the role of Muslims from South Africa’s founding to the present and points to the resonance of these discussions beyond South Africa. How do Muslims fit into South Africa's well-known narrative of colonialism, apartheid and post-apartheid? South Africa is infamous for apartheid, but the country's foundation was laid by 176 years of slavery from 1658 to 1834, which formed a crucible of war, genocide and systemic sexual violence that continues to haunt the country today. Enslaved people from East Africa, India and South East Asia, many of whom were Muslim, would eventually constitute the majority of the population of the Cape Colony, the first of the colonial territories that would eventually form South Africa. Drawing on an extensive popular and official archive, Regarding Muslims analyses the role of Muslims from South Africa?s founding moments to the contemporary period and points to the resonance of these discussions beyond South Africa. It argues that the 350-year archive of images documenting the presence of Muslims in South Africa is central to understanding the formation of concepts of race, sexuality and belonging. In contrast to the themes of extremism and alienation that dominate Western portrayals of Muslims, Regarding Muslims explores an extensive repertoire of picturesque Muslim figures in South African popular culture, which oscillates with more disquieting images that occasionally burst into prominence during moments of crisis. This pattern is illustrated through analyses of etymology, popular culture, visual art, jokes, bodily practices, oral narratives and literature. The book ends with the complex vision of Islam conveyed in the post-apartheid period.