Caldecott Honor winning illustrator, A. Birnbaum has captured the childlike wonder of each season in this 1953 picture book. Green Eyes, the curious kitten, ventures beyond his familiar big red box and greets spring, summer, fall, and winter—each with their unique colors, scents, and feelings. Children will delight in discovery with Green Eyes as he ventures out and cozies up to the familiar warmth of home upon his return. A Caldecott Honor Book A New York Times Best Illustrated Children's Book "Spectacular." —The New Yorker "This genius among caricaturists, Birnbaum, brings the essence of his art to the eyes of small children." —New York Herald Tribune "Here is everything a small looker wants and needs in a first picture book." —The Chicago Tribune

Green Eyes will drum up a heist of a lifetime and will cross enemy territory to do it.

For centuries it has been assumed that democracy must refer to the empowerment of the People's voice. In this pioneering book, Jeffrey Edward Green makes the case for considering the People as an ocular entity rather than a vocal one. Green argues that it is both possible and desirable to understand democracy in terms of what the People gets to see instead of the traditional focus on what it gets to say.The Eyes of the People examines democracy from the perspective of everyday citizens in their everyday lives. While it is customary to understand the citizen as a decision-maker, in fact most citizens rarely engage in decision-making and do not even have clear views on most political issues. The ordinary citizen is not a decision-maker but a spectator who watches and listens to the select few empowered to decide. Grounded on this everyday phenomenon of spectatorship, The Eyes of the People constructs a democratic theory applicable to the way democracy is actually experienced by most people most of the time.In approaching democracy from the perspective of the People's eyes, Green rediscovers and rehabilitates a forgotten "plebiscitarian" alternative within the history of democratic thought. Building off the contributions of a wide range of thinkers-including Aristotle, Shakespeare, Benjamin Constant, Max Weber, Joseph Schumpeter, and many others-Green outlines a novel democratic paradigm centered on empowering the People's gaze through forcing politicians to appear in public under conditions they do not fully control.The Eyes of the People is at once a sweeping overview of the state of democratic theory and a call to rethink the meaning of democracy within the sociological and technological conditions of the twenty-first century.

George, Bess, and I were so excited when we won an amazing vacation at an eco-resort in Costa Rica. Fun, sun, surf -- all in the name of ecology and helping to keep our planet clean. But, as always, dirty business seems to follow me wherever I go, and this resort isn't as spic 'n' span as we originally thought. After a string of increasingly dangerous "accidents," it seems that there is a jealous predator staying at the resort, making trouble for the management and the guests. Against the urging of my friends, I know that I need to take this case and get to the bottom of it before our entire week at Casa Verde is ruined -- or worse. Can I uncover who is sabotaging the press tour before it's too late? Or will our vacation come to an unhappy end?

Life the second time around is short, strange and terrifying to the awakened. One "zombie", victim of a bizarre scientific obsession, breaks away, leaving a trail of muder and miracle as he flees the Project and the horror his "life" hasbecome.

Professor Malik Solanka, retired historian of ideas, irascible doll maker, and since his recent fifty-fifth birthday celibate and solitary by his own (much criticized) choice, in his silvered years found himself living in a golden age. Outside his window, a long humid summer, the first hot season of the third millennium, baked and perspired. The city boiled with money. Rents and property values had never been higher, and in the garment industry it was widely held that fashion had never been so fashionable. - from Fury From one of the world’s truly great writers comes a wickedly brilliant and pitch-black comedy about a middle-aged professor who finds himself in New York City in the summer of 2000. Not since the Bombay of Midnight’s Children have a time and place been so intensely captured in a novel. Salman Rushdie’s eighth novel opens on a New York living at break-neck speed in an age of unprecedented decadence. Malik Solanka, a Cambridge-educated self-made millionaire originally from Bombay, arrives in this town of IPOs and white-hot trends looking, perversely, for escape. He is a man in flight from himself. This former philosophy professor is the inventor of a hugely popular doll whose multiform ubiquity – as puppet, cartoon and talk-show host – now rankles with him. He becomes frustratingly estranged from his own creation. At the same time, his marriage is disintegrating, and Solanka very nearly commits an unforgivable act. Horrified by the fury within him, he flees across the Atlantic. He discovers a city roiling with anger, where cab drivers spout invective and a serial killer is murdering women with a lump of concrete, a metropolis whose population is united by petty spats and bone-deep resentments. His own thoughts, emotions and desires, meanwhile, are also running wild. He becomes deeply embroiled in not one but two new liaisons, both, in very different ways, dangerous. Professor Solanka’s navigation of his new world makes for a hugely entertaining and compulsively readable novel. Fury is a pitiless comedy that lays bare, with spectacular insight and much glee, the darkest side of human nature.

After witnessing the suicide of her father and the murder of her mother and brother upon their arrival in Auschwitz, fifteen-year-old Hanka Kaudersova is forced to choose between working in a German military brothel on the eastern front or death.