This anthology collects some of the most important plays by Ancient Greek tragedians, in updated translations with new introductions. Greek Tragedies, Volume III presents some of the finest and most fundamental works of Western dramatic literature. It draws together plays of Aeschylus, Sophocles, and Euripides from Chicago’s acclaimed nine-volume series, Complete Greek Tragedies. This third edition updates the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which they are famous. New introductions for each play provide essential information about the production histories and the stories themselves. This volume contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.

Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.

"When Then is Now" brings together Brendan Kennelly's modern versions of three Greek tragedies: Antigone by Sophocles and Euripides' Medea and The Trojan Women. All three plays dramatise timeless human dilemmas as relevant now as they were in ancient times. All focus on women whose lives are torn apart by war, family conflict and despotic regimes. In his preface, Brendan Kennelly describes how writing these three plays helped him enormously at difficult times in his own life. "When Then is Now" gives living testament of his belief that 'listening to ancient voices can help us confront, understand and express many problems of today'.

Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.