This revised edition of Meiggs and Lewis's standard selection (first published in 1969) includes ninety-five texts covering the period from 750 B.C. through the end of the Peloponnesian War in 404 B.C. A new addenda and concordance bring the book completely up to date.

This volume is a successor to the second volume of M. N. Tod's Selection of Greek Historical Inscriptions (OUP, 1948). It provides an up-to-date selection - with introduction, Greek texts, English translations, and commentaries which cater for the needs of today's students - of inscriptions which are important for the study of Greek history in the fourth century BC. The texts chosen illuminate not only the mainstream of Greek political and military history, but also institutional, social,economic, and religious life. To emphasize the importance of inscriptions as physical objects, a number of photographs have been included.

Introduces a wide variety of Greek inscriptions on stone slabs, pottery, bronzes, and other small objects, from simple names to more complicated texts, some in local dialects with distinctive alphabets.

This volume is a companion to the editors' Greek Historical Inscriptions, 404-323 BC. It presents a selection of important Greek inscriptions from the fifth century BC alongside English translations, commentaries, and photographs in an accessible reference text for scholars and students of all aspects of Greek history of this period.

As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.

From the archaic period onwards, ancient literary authors working within a range of genres discussed and quoted a variety of inscriptions. This volume offers a wide-ranging set of perspectives on the diversity of epigraphic material present in ancient literary texts, and the variety of responses, both ancient and modern, which they can provoke.