The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of the finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole---creating an exceptional resource for worship or recital planning. Titles Include: Carry Me Home (Shafferman) * Every Time I Feel the Spirit (Hayes) * Give Me Jesus (Shackley) * Go Tell It (Sterling) * Here's One (Fettke) * Joshua Fit the Battle of Jericho (Hayes) * Were You There (Shackley).

The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of the finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole---creating an exceptional resource for worship or recital planning. Titles Include: Carry Me Home (Shafferman) * Every Time I Feel the Spirit (Hayes) * Give Me Jesus (Shackley) * Go Tell It (Sterling) * Here's One (Fettke) * Joshua Fit the Battle of Jericho (Hayes) * Were You There (Shackley).

This first installment in the new Portraits in Song Series is an outstanding collection of hymnwriters and arrangers. Each of these solos may be performed separately, or -- paired with the brief biographical information -- together, creating an excellent recital or special worship program. Titles: * Amazing Grace (Althouse) * Blessed Assurance (Drennan) * Holy, Holy, Holy (Hayes) * I Sing the Mighty Power of God (Page) * It Is Well with My Soul (Page) * Joyful, Joyful, We Adore Thee (Larson) * My Life Flows On in Endless Song (Shafferman) * O for a Thousand Tongues to Sing (Wagner)

Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European tradi­tions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this im­portant collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.

Presents the story of the Jubilee Singers, a group of African Americans who toured singing slave spirituals to raise money for their struggling school.

Renowned choral conductor and educator Andr J. Thomas has crafted a book that the conductor of any choral ensemble-be it church, high school, university, or professional-will want close at hand when preparing to program any concert spiritual. Understanding the Spiritual, the first of the book's two sections, includes an exploration of the beginnings of the spiritual, its role in society and its transition into art music. Issues of interpretation-text, diction, rhythm and tempo-are addressed in the second section, Performing the Spiritual. In addition to interviews with noted conductors Dr. Anton Armstrong and Prof. Judith Willoughby as to matters of performance and selection, the centerpiece of this section is Dr. Thomas's personal reflections on several spiritual arrangements, including his rehearsal techniques (with specific examples and measure-number references to the included scores), as well as an insightful look into his decisions of interpretation.

Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.