These thirteen stories established Michael Swanwick as one of the brightest stars in the science-fiction firmament. Alongside its companion volume, Tales of Old Earth, Gravity's Angels showcases the very best of Swanwick's considerable talent, including the Sturgeon Award--winner "The Edge of the World." Each story is a unique and engrossing exploration of character, conflict, and conscience.

Winner of the 1974 National Book Award "The most profound and accomplished American novel since the end of World War II." - The New Republic “A screaming comes across the sky. . .” A few months after the Germans’ secret V-2 rocket bombs begin falling on London, British Intelligence discovers that a map of the city pinpointing the sexual conquests of one Lieutenant Tyrone Slothrop, U.S. Army, corresponds identically to a map showing the V-2 impact sites. The implications of this discovery will launch Slothrop on an amazing journey across war-torn Europe, fleeing an international cabal of military-industrial superpowers, in search of the mysterious Rocket 00000.

The study analyzes Pynchon's Gravity's Rainbow it in terms of Rilke's Duino Elegies, a text which was a major influence on Pynchon's novel.

Alterity is not a mere synonym of difference; what it signifies is otherness, a distinction or separation that can entail similarity as well as difference. The articles collected here explore ways to define, situate and negotiate alterity in a manner that does not do away with the other through negation or neutralization but that instead engages alterity as a reconfiguring of identities that keeps them open to change, to a becoming without horizon. Alterity and its situated negotiations with identity are configured through the body, through the psyche and through translational politics. From critical readings of angels, specters, grotesque bodies, online avatars, Sex and the City, pornography in French literature, Australian billboard art, Pina Bausch, Adrian Piper, Kashmiri poetry, contemporary German fiction, Jacques Brault and Northern-Irish poetry, there emerges a vision of identities as multi-faceted constructions that are continually being transformed by the various alterities with which they intersect and which they must actively engage in order to function effectively in the social, political, and aesthetic realm.

Physics with a Buffy the Vampire Slayer pop-culture chaser In the tradition of the bestselling The Physics of Star Trek, acclaimed science writer Jennifer Ouellette explains fundamental concepts in the physical sciences through examples culled from the hit TV shows Buffy the Vampire Slayer and its spin-off, Angel. The weird and wonderful world of the Buffyverse—where the melding of magic and science is an everyday occurrence—provides a fantastical jumping-off point for looking at complex theories of biology, chemistry, and theoretical physics. From surreal vampires, demons, and interdimensional portals to energy conservation, black holes, and string theory, The Physics of the Buffyverse is serious (and palatable) science for the rest of us.

The time was the great rift between fallen angels, as humans; it was the supposed time of the great freedom when there were no rules on earth. And, that time was when earth wasnt even called earth. It was nothing to them and something in the same moment. The fallen angels almost had the same kind of planet, as Aubrahteery, which they gave up. It was warm and lit all the time. There was no darkness, no coldness, and no desolation. Until, their dark hearts took over and began to change their surroundings. What the fallen angels also didnt realize was that their new home verged changing with the reality of the darkness lying in the root of their hearts. The fallen angels didnt realize that darkness and negativity carried a lot more dead weight with it, which is ultimately what forged the slowing planet with all the fallen angels, as humans upon her surface.