It’s been sixteen years since “Ray Boy” Calabrese’s actions led to the death of a young man. The victim’s brother, Conway D’Innocenzio, is now a 29-year-old Brooklynite wasting away at a local Rite Aid, stuck in the past and drawn into a darker side of himself when he hears that Ray Boy’s has been released. But even with the perfect plan in place, Conway can’t bring himself to take the ultimate revenge.Meanwhile, failed actress Alessandra returns to her native Gravesend after the death of her mother, torn between a desperate need to escape immediately back to LA and the ease with which she sinks back into neighborhood life. Alessandra and Conway are walking eerily similar paths—staring down the rest of their lives, caring for their aging fathers, lost in the youths they squandered—and each must decide what comes next.In the tradition of American noir authors like Dennis Lehane and James Ellroy, William Boyle’s Gravesend brings the titular neighborhood to life in this story of revenge, desperation, and escape.

Brooklyn is an incredible mosaic of the human experience. Within this New York borough's crowded city blocks, there are infinite stories of success and failure, hope and despair, euphoria and suffering. Gravesend, one of Brooklyn's most historic neighborhoods, possesses a rich heritage that is, at once, typical of the American spirit in its ambition and energy, yet is also unique with its colorful pageantry of luxury hotels, pleasure parks, and larger-than-life personalities. Gravesend: The Home of Coney Island takes readers on a fascinating journey from the town's first settlement in the 1640s by Lady Deborah Moody, an intrepid and visionary leader of religious freedom, across four centuries of progress, conflict, and change. Containing over 120 black-and-white images, this stunning illustrated history brings to life early figures and events that shaped Gravesend's past and initiated Coney Island's prominence as the world's playground. Like a visitor of yesteryear, readers will stroll along the busy boardwalk, taste the world-famous hot dogs from Nathan's Restaurant, explore the renowned dance halls, race tracks, and casinos, and thrill at the kaleidoscopic assortment of roller coasters and other breathtaking rides, such as the Parachute Jump, at the celebrated Dreamland, Luna, and Steeplechase Parks.

Photographs often hold mysteries and memories of our past. In this vivid and captivating new photographic history, readers are transported back to an exciting time, when the town of Gravesend, Brooklyn was one of the six original towns later to become part of the great City of Brooklyn. Originally an isolated English-speaking community amidst many other Dutch areas in the region, Gravesend developed into a thriving seaside resort, with Coney Island becoming the "playground of the world," and Sheepshead Bay an important fishing community with fabulous places to dine and enjoy the fruits of the sea.

Permanently settled in 1645, the farming town of Gravesend, Long Island, was annexed to the city (now borough) of Brooklyn, New York, in 1894. Few reminders from Gravesend's rural days survive around the urban landscape it has become. Even its more recent past is quickly disappearing.

The Dead Hand Book is a memorial to mortality and the ancestral liaison with death through quiet and sweetly-macabre short stories. The Dead Hand Book is a memorial to mortality and the ancestral liaison with death through quiet and sweetly-macabre short stories. The collection of fables is inspired by the manner those long gone have had their memories engraved onto slate and marble stones with the cadence of an old Folk song or Murder Ballad. Tales of warning, the deepest loves honored by surviving paramours and the indifferent cruelty of life in the 17th-20th century are all recorded in the Stories From Gravesend Cemetery. The purpose of this book is to educate the casual cemetery wanderer about how to read the old stones they pass by and to excite the #deathpositivity movement enthusiast or morbidly curious. This book aims help honor those who have come before us by opening the door of understanding the strange records inscribed in old cemeteries; many of those interred below having only that record of their life existing on a crumbling stone. The stories are short and often open-ended to allow the reader to contemplate their interpretation of the endings, maybe even their own mortality. (Much like the way Edward Gorey crafted his short stories.) Modern attitudes towards death have become sodden with superstition, misinformation and fear; this book’s goal is to illuminate how those of the near past embraced, cared for, and honored death as an obvious part of life. Not long ago art was very much an integral part of funerary celebrations such as elaborate Memento Mori carvings on ancient gravestones and the hair jewelry of the Victorians. Those relics are celebrated in The Dead Hand Book.