With Peaceful Repose Cemetery, Drew Slocombe is determined to revolutionize the entire death industry and make cheap, ecologically sound burials a popular choice. Unfortunately, Drew's gravedigger has just discovered that their cemetery has one too many corpses. The body of an elderly woman has been occupying the field for months before Drew opened for business. The police don't appear to be particularly concerned by the death, and seem to think that the body is that of a vagrant. But for Drew, things don't add up: even if the woman died a natural death, someone was obviously responsible for burying her. The mystery deepens when Genevieve Slater turns up at Drew's door. Drew has always fought an illicit attraction to Genevieve--an attraction that hasn't faded with time. But it's Drew's reputation for amateur detective work that Genevieve is now interested in. With reasons of her own for not wanting to contact the police, she wants to hire Drew to prove that the body is that of her missing mother. Drew realizes helping her might get him in trouble with the law, but, for a man looking to escape both money worries and marriage problems, Genevieve proves impossible to resist in Grave Concerns, a captivating West Country mystery from Rebecca Tope.

Who am I? What am I? Where do I belong? These “grave concerns” take a lifetime for most people to answer. They become even trickier for American Indians, who all too often face literal and figurative burial by those in power. Such concerns permeate the works of Louis Owens, a mixedblood writer of Choctaw-Cherokee-Irish descent. In this first book-length examination of Owens’s writings, Chris LaLonde focuses on five critically acclaimed novels: The Sharpest Sight, Bone Game, Wolfsong, Nightland, and Dark River. According to LaLonde, Owens works his stories like a trickster, turning ideas back against themselves and playing with contradictory possibilities. The conflicting Native and Western perspectives of time, history, humor, and authority dramatize hoe such classes can threaten to undermine any sense of home and identity for Indians. In the process, Owens underscores the sham of the ethnic identities foisted upon American Indians-the Noble Savage, the Silent Indian, the Vanishing Native, and the Indian as Tragic Victim.

Careful writers and speakers agree that clichés are generally to be avoided. However, nearly all of us continue to use them. Why do they persist in our language? In It's Been Said Before, lexicographer Orin Hargraves examines the peculiar idea and power of the cliché. He helps readers understand why certain phrases became clichés and why they should be avoided -- or why they still have life left in them. Indeed, clichés can be useful -- even powerful. And few people even agree on which expressions are clichés and which are not. Many regard any frequent idiom as a cliché, and a phrase regarded as a cliché in one context may be seen simply as an effective expression in another. Examples drawn from data about actual usage support Hargraves' identification of true clichés. They also illuminate his commentary on usage problems and helpful suggestions for eliminating clichés where they serve no useful purpose. Concise and lively, It's Been Said Before serves as a guide to the most overused phrases in the English language -- and to phrases that are used exactly as often as they should be.