“A gripping and forceful narrative.”—Nancy F. Cott, author of Public Vows An “enthralling” (Michael Kazin, Washington Post) account of America’s shift from a rural and agrarian society to an urban and industrial society. In the late nineteenth and early twentieth centuries, technological innovation made possible dramatic increases in industrial and agricultural productivity; by 1919, per capita gross national product had soared. But this new wealth and new power were not distributed evenly. In this landmark work—with continued resonance for our times—acclaimed historian Nell Irvin Painter illuminates the class, economic, and political conflicts that defined the Progressive Era. Demonstrating the ways in which racial and social hierarchies were interwoven with reform movements, she offers a lively and comprehensive view of Americans, rich and working-class, at the precipice of change.

Through the prism of America's most enduring African-inspired art form, the Lowcountry basket, Grass Roots guides readers across 300 years of American and African history. In scholarly essays and beautiful photographs, Grass Roots follows the coiled basket along its transformation on two continents from a simple farm tool once used for processing grain to a work of art and a central symbol of African and African American identity. Featuring images of the stunning work of contemporary basket makers from South Carolina to South Africa, as well as historic photographs that document the artistic heritage of the southern United States, Grass Roots appears at a moment when public recognition of the Gullah/Geechee heritage is encouraging a reexamination of Africa's contribution to American civilization. Working with basket makers from Charleston and Mt. Pleasant, South Carolina, historian Dale Rosengarten has been studying African-American baskets for over 20 years and brings her research up-to-date with interviews of artists and the results of recent historical inquiry. Anthropologist Enid Schildkrout draws on her research in West Africa and museum collections around the world to explore the African antecedents of Lowcountry basketry. Geographer Judith A. Carney discusses the origins of rice in Africa and reveals how enslaved Africans brought to America not only rice seeds but, just as important, the technical know-how that turned southern coastal forests and swamps into incredibly profitable rice plantations. Historian Peter H. Wood discusses the many skills that enslaved Africans contributed to the settlement of the Old South and at the same time used to resist the conditions of their servitude. John Michael Vlach, a leading authority on African American folk art, discusses the history of visual depictions of plantation life. Fath Davis Ruffins, a specialist on the imagery of popular culture, sheds light on the history embedded in old photographs of African Americans in the Charleston area. Cultural historian Jessica B. Harris explores the tradition of rice in American cooking and the enduring African influences in the southern kitchen. Anthropologist and art historian Sandra Klopper sketches the history of coiled basketry in South Africa, illuminating its evolution from utilitarian craft to fine art, parallel to developments in America. Anthropologist J. Lorand Matory traces the changing meanings of Gullah/Geechee identity and discusses its appearance as a significant force on the American cultural scene today. Dale Rosengarten is curator of special collections at the College of Charleston library. Theodore Rosengarten teaches history at the College of Charlestona and University of South Carolina. Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art, New York.

A reference surveying the major concerns, findings, and terms of social history. The coverage includes major categories within social history (family, demographic transition, multiculturalism, industrialization, nationalism); major aspects of life for which social history has provided a crucial per

This book examines Mohism as a movement in early China, focusing on the Mohists’ pursuit of power. Fashioning themselves as grassroots activists, the Mohists hoped to impact the elite by gaining entry in its community and influencing it from within. To create a less violent world, they deployed strategies of persuasion and negotiation but did not discard counterviolence in their dealings with the ruling class. In executing their activism, the Mohists produced knowledge that allowed them to hone their nonviolent strategies as well as to mount armed resistance to aggression. In addition, the Mohists paid significant attention to the issue of personhood, constructing a self-cultivation tradition unsparing in its demands for overcoming human conditions that would impede their performance as activists. This book situates Mohism in the history of nonviolent activism, and in that of negotiation and conflict resolution.

This volume deals with fundamental aspects of the material life of Islamic societies in the formative period. Three broad sections comprise the scope of the book: the first on housing, the second on textiles and clothing, and the final one on food and drink. In each section, studies based upon both archaeological and literary sources are included. The aim of the collection is to highlight features of continuity between the pre-Islamic cultures of the Middle East and those other aspects which were introduced as a consequence of the development and spread of the Islamic religious tradition. The editor's introduction to the volume reviews the developments and current trends in each area, and notes the problems in constructing knowledge of the material civilisation of the early Islamic period.