In this book, Lowery A. Woodall III explores the ways that diverse populations are portrayed, stereotyped, and sometimes villainized in the WWE’s colorful and dramatic programming. Each chapter examines the surprisingly complex and multilayered representation of marginalized populations throughout the modern history of the WWE under the leadership of Vincent K. McMahon. Through weekly shows like Raw and SmackDown, pay-per-view spectaculars like WrestleMania, and a vast library of wrestling-related material on their streaming platform, Woodall argues that the WWE and McMahon have created calculated and carefully curated representations of diversity that are viewed by millions of fans worldwide. What effects do those representations have on the men, women, and children who consume WWE content? How are wrestlers and performers impacted by their on-screen portrayals? This book explores these questions and demonstrates that when representations are inaccurate or problematic, more than just kayfabe is in danger of being broken. Scholars of professional wrestling studies, media studies, and communication studies will find this book of particular interest.

“Very well written, I am really enjoying it. I have been so impressed by the writers and their passion for the subject” – Mick Foley, wrestling legend and bestselling author "Expert contributions that unexpectedly and thoroughly cover a treasure trove of topics. This reader was euphoric over the amount of subject matter jam-packed into this important and long overdue collection" - Jamie Hemmings, Book Editor for SlamWrestling.net "The quality of writing at its best was really good, a lot to think about. A flat out really good read." - Bruce Mitchell, Senior Columnist - Pro Wrestling Torch 99.9% of professional wrestling books are written by men about male performers in a male-dominated business. This book aims to help correct the balance, giving a voice to women and fans of women’s wrestling, showing women in the ring are just as captivating to watch and that female fans are just as passionate. Women Love Wrestling is a collection of writing from women and about women in wrestling, written by fans, wrestlers, podcasters, promoters, journalists, culture critics, PhDs and academics. Women Love Wrestling is a mix of wrestling history, personal stories and studies of professional wrestling. We focus on women’s wrestling of course, but include stories from the wider world, including lost Victorian legends and reflections on how wrestling can be compared to the masterpieces of Shakespeare. Learn about how to watch joshi, how women train to wrestle, how promoting all-women shows requires a different approach, how wrestling fandom creates gender-bending art and cosplay, the history of GLOW, AJW, Shimmer and EVE, issues with diversity, the slow progress being made with gender equality and more thanks to our diverse team of writers. The profits from this book are donated to RAINN and Women's Aid

A Companion to Media Fandom and Fan Studies offers scholars and fans an accessible and engaging resource for understanding the rapidly expanding field of fan studies. International in scope and written by a team that includes many major scholars, this volume features over thirty especially-commissioned essays on a variety of topics, which together provide an unparalleled overview of this fast-growing field. Separated into five sections—Histories, Genealogies, Methodologies; Fan Practices; Fandom and Cultural Studies; Digital Fandom; and The Future of Fan Studies—the book synthesizes literature surrounding important theories, debates, and issues within the field of fan studies. It also traces and explains the social, historical, political, commercial, ethical, and creative dimensions of fandom and fan studies. Exploring both the historical and the contemporary fan situation, the volume presents fandom and fan studies as models of 21st century production and consumption, and identifies the emergent trends in this unique field of study.

'A brilliant oral history of the golden age of British wrestling and magnificent wider social history.' Richard Osman The classic account of the men and women who used to fight each other for pride and money. Simon Garfield brings them to life in one last glorious bout of jealousy, myth, revenge, passion and deep devotion. When British wrestling was dropped from the ITV schedules in the mid-80s it left the giants of the ring - Big Daddy, Giant Haystacks, Kendo Nagasaki - bereft. This is the true story of the circuit, the big names and their rivalries, told with humour, warmth and affection. This edition features a new afterword by the author.

The field of fan studies has seen exponential growth in recent years and this companion brings together an internationally and interdisciplinarily diverse group of established scholars to reflect on the state of the field and to point to new research directions. Engaging an impressive array of media texts and formats and incorporating a variety of methodologies, this collection is organized into six main sections: methods and ethics, technologies and practices, identities, race and transcultural fandom, industry, and futures. Each section concludes with a conversation among some of the field’s leading scholars and industry insiders to address a wealth of questions relevant to each section topic.

Geschiedenis van de worstelsport, alsmede interviews met worstelaars.

What do martial arts signify today? What do they mean for East-West cross cultural exchanges? How does the representation of martial arts in popular culture impact on the wide world? What is authentic practice? What does it all mean? From Kung Fu to Jiujitsu and from Bruce Lee to The Karate Kid, Mythologies of Martial Arts explores the key myths and ideologies in martial arts in contemporary popular culture. The book combines the author’s practical, professional and academic experience of martial arts to offer new insights into this complex, contradictory world. Inspired by the work of Roland Barthes in Mythologies, the book focusses on the signs, signifiers and practices of martial arts globally. Bringing together cultural studies, film studies, media studies, postcolonial studies with the emerging field of martial arts studies the book explores the broader significance of martial arts in global culture. Using an accessible yet theoretically sophisticated style the book is ideal for students, scholars and anyone interested in any type of martial art.