“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.

The Go-Betweens, one of Australia’s most talented and influential bands, very nearly wasn’t. Grant McLennan didn’t want to be in a group, and couldn’t even play an instrument. That didn’t stop the singer-songwriter duo of Forster/McLennan becoming one of the most acclaimed partnerships in Australian music history. Just as The Go-Betweens always defied categorisation, Grant & I is like no other rock memoir. At its heart is a privileged insight into a prolific artistic collaboration that lasted three decades, and an extraordinary friendship that rode out the band’s break-up to remain strong until Grant’s premature death in 2006. Unconventional in lineup and look, noted for near misses and near hits, always a beat to one side of the mainstream – the band’s unusual beginnings were followed by twists that often confounded its members as well as fans and record companies. The story of The Go-Betweens is also the story of the times, and Grant & I is a wonderfully perceptive look at the music industry and a brilliantly fresh take on the sounds of the era. As distinctive a writer of prose as he is of songs, Robert Forster is wise and witty, intimate and frank, astute and knowledgeable. There could be no better tribute than Grant & I to this partnership and band who remain loved and revered. 'The truest and strangest poet of his generation.' Nick Cave 'An odyssey of friendship, ambition and the struggle of art. Clear-eyed and compelling.' Paul Kelly 'Grant & I is a beautifully written book . . . You long to hear McLennan’s voice, to view the band, and Forster, through his eyes. There is still, even after McLennan’s death, a sense of potential about this relationship.’ Los Angeles Review of Books. ‘Forster’s account is melancholic, cheery, and self-deprecating all at once. It is often unruly and mischievous as well. Rather than presenting a stock-standard Australian success story, Grant & I offers up the tangled lives of two kindred spirits who decided to make music together.’ Doug Wallen, Australian Book Review 'As a survey of a sui generis carrer, as a glimpse into the formation and working methods of a superlative songwriter, and as an ultimately poignant chronicle of a friendship, Grant & I weaves a memorable story with wit, art and heart.' Readings Monthly ‘The main focus is as admirable as it is surprising. Forster’s topic is rarely himself or McLennan. Instead, it’s the stuff of which their days were made, the music of The Go-Betweens . . . Forster is not at all sentimental about their friendship, until he has to be . . . And their relationship is not at all dramatic, until, of course, it is, at which point, it is gutting, sudden and tragic.’ The Saturday Paper ‘The Go-Betweens were fascinating for teaming two very different singer-songwriters – the sweetly melodic Grant McLennan and ragged rock poet Robert Forster. Robert’s account of their journey is as compelling as it is sprightly.’The Weekly Review ‘This moving memoir . . . is a fascinating glimpse into a life richly lived and a key friendship along the way . . . [Forster] has gone on to honour his departed friend in many ways and now, importantly, with this warm, witty and at times searingly honest book.’ The Courier-Mail ‘His writing is sharp, with an undercurrent of ironic humour but, when it comes to the big moment with which the book climaxes, he handles it with emotional precision . . . You can read this as a book about the music industry. You can read it as a book about the mysterious synergies of art. Or you can read it is a book about the non-erotic love that can exist between men.’ The Age ‘An engrossing, textured insight into [Forster’s] friendship with his fellow, but more introverted, singer-songwriter while documenting the highs and lows of The Go-Betweens’ battles with record labels in the UK, US and at home. The book is also a wonderful insight into the punk, post-punk and ’90s music scenes, detailing the band’s brushes with REM, Nick Cave’s The Birthday Party, Lloyd Cole and Scottish cult act Orange Juice.’ The Advertiser (Adelaide) ‘[A] beautifully documented account . . . The heart of Forster’s story is deeper and more poetically drawn than simple band autobiography, however. It’s the unveiling of a friendship, a partnership, even a love affair, of sorts, that ended in tragic circumstances . . . His natural talent for the written word blossoms from almost every page of this colourful account of his relationship with McLennan . . . Forster writes from the heart.’ Weekend Australian ‘Forster’s half of the tale is passionate, funny, unflinchingly honest and ultimately very moving in the hours of his friend’s strange, tragically premature passing . . . What we have in The Go-Betweens is a beautiful puzzle that invites imagination to rule.’ The Saturday Age This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.

When Robert Forster and Grant McLennan formed the Go-Betweens in Brisbane in 1977, they were determined to be different. They were angular, spare, and poetic when crashing direct­ness was the prevailing style. Their heroes were Dylan, Creedence, and Television, when it was more fashionable to cite the Stooges and the New York Dolls. Their attitude was as punk as any­­one’s, but their lyrical guitar pop stood in sharp contrast to the trends of the day. The Go-Betweens story is a fascinating one. With cornerstone drummer Lindy Morrison – and, later, additional members Robert Vickers and Amanda Brown – the band recorded six albums in the 1980s that are among the finest work of the decade, and earned them a reputation as “the ultimate cult band.” And as one reviewer of the original 1997 edition of this book noted, “Unlike most rock groups, the Go-Betweens had personalities as well as talent”—which makes for a compelling read, even if you’re not yet a fan. David Nichols relates the Go-Betweens story with wit and verve, and for this edition he completely updated the book, adding chapters on the members’ subsequent solo careers in the 1990s, the subsequent reuniting of Forster and McLennan under the Go-Betweens name, and the band’s flourishing second life in the new millennium, tragically cut short by the sudden death of Grant McLennan in 2005.

A funny, appealing and big-hearted memoir of how one of Australia's leading comic talents, Corinne Grant, learned to reconcile love, loss, lack of cupboard space and far too much stuff.

Voiced by Donna and her streetwise god-daughter Aurora, this thrillingly original crime novel unfolds at breakneck speed - at once furious, tender and heartbreaking. Lesbian gangster and street poet Donna runs the all-female Bronte Close Gang. Carla, single parent and part-time MC, is her closest friend and trusted second-in-command. Together they carve out an empire in the toughest streets of Manchester. Unlike the city's other gangs, run by men caught up in violent turf warfare, the women keep their heads down, doing business their way: partying on Canal Street, selling drugs in perfume atomisers in club toilets, and working as cleaners to account for their illegal income. But when Carla is gunned down everything changes.

From top experts in the field, the definitive guide to grant-writing Written by two expert authors who have won millions of dollars in government and foundation grants, this is the essential book on securing grants. It provides comprehensive, step-by-step guide for grant writers, including vital up-to-the minute interviews with grant-makers, policy makers, and nonprofit leaders. This book is a must-read for anyone seeking grants in today's difficult economic climate. The Only Grant-Writing Book You'll Ever Need includes: Concrete suggestions for developing each section of a proposal Hands-on exercises that let you practice what you learn A glossary of terms Conversations with grant-makers on why they award grants...and why they don't Insights into how grant-awarding is affected by shifts in the economy