Juno's grandmother writes in Korean and Juno writes in drawings, but that doesn't mean they can't exchange letters. From the photo his grandmother sends him, Juno can tell that she has a new cat. From the picture he makes for her, Juno's grandmother can tell that he wants her to come for a visit. So she sends Juno a miniature plane, to let him know she's on the way. This tender tale won the author an Ezra Jack Keats award, and is a perfect introduction to the concept of foreign cultures and far-off lands.

Victorian Alphabet Books and the Education of the Eye shows how the familiar genre went beyond mere reading instruction to offer nineteenth-century British writers, illustrators, and publishers a site for representing and re-thinking literacy itself. This interdisciplinary study traces how individuals throughout the Victorian era deployed alphabet books to promote visual literacy or oral culture as a vital complement to textual literacy. Their strategies ranged from puns and political allusions to elaborate designs that addressed adult audiences alongside or even instead of children. As the format became more familiar in the first part of Victoria's reign, George Cruikshank, William Makepeace Thackeray, Henry Cole, and Edward Lear were quick to recognize its critical potential. This history pivots around the mid-1860s and 1870s, when the production of illustrated alphabet books exploded thanks to evolving printing technology and national education reform. Case studies of individual works and makers show how a revolution in picture books reflected and responded to laws assuring children's access to schooling. On the one hand, Socialist artist Walter Crane was able to develop alphabetical illustration from a utilitarian mid-century product into an aesthetically rich, yet accessibly priced "education of the eye." On the other hand, Kate Greenaway, Hablot Knight Browne (Phiz), and their publishers tended to leverage commercialized nostalgia against pedagogy. This survey concludes by showing how market-oriented trends and the development of photographic reproduction toward the end of the century fed into interpretations of the alphabet, including works by Rudyard Kipling and Hilaire Belloc, that reflected growing ambivalence about industrialized print culture.

Key Selling Points Based on a true story from Phangane village in India’s Maharashtra state, where grandmothers attend the Aajibaichi Shala (school for grandmothers). For many of them, this has been their first time in a classroom. Explores how important education is, especially for girls and women who have historically been left behind. Ellen Rooney’s bright and vivid illustrations shine as this book moves through the effects that the opportunity for education has had on one grandmother. The author dedicated this book to her own grandmother, who never had the chance to go to school. This book encourages readers to think critically about why education has historically been withheld from women and about gender inequality overall, as well as to consider what basic human rights and needs are. Grandmother School was the winner of the 2021 Christie Harris Illustrated Children's Literature Prize.