No detailed description available for "Allegories of America".

Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism. Each theoretical chapter is followed by a chapter that analyzes a specific text or group of texts. Allegorical indeterminacy is seen to produce a literary tradition that both represents and subverts the ideals of American orthodoxy.

The twenty-five years in which the American colonists acquired a sense of nationhood were turbulent, highly spirited, and highly literary. The finest written products of this intellectual surge included not only the fiery pamphlets, broadsides, and newspaper articles of the revolutionists, but also works of prose an poetry, letters, diaries, sermons, and plays.

First Published in 2005. While many previous books on Pynchon allude to his fictional engagement with historical events and figures, this book explores Pynchon as a historical novelist and, by extension, historical thinker. The book interprets Pynchon's four major novels V., Gravity's Rainbow, Vineland, and Mason & Dixon through the prism of historical interpretation and representation. In doing so, it argues that Pynchon's innovative narrative techniques express his philosophy of history and historical representation through the form of his texts.

In this age of overweening global capital and omnipresent electronic media, many critics have diagnosed Western culture as suffering from a kind of historical obliviousness, a mass inability to situate our lived experience within the temporal flow of past, present, and future that is history. Within this historically bankrupt culture, representations of history in whatever medium - cinema, television, print - most often become mere fashion, the quotation of past styles devoid of historical gravitas. Against this, Past Performance: American Theatre and the Historical Imagination argues that many contemporary American theatre and performance artists are not only developing innovative strategies for staging history, but helping us reimagine our relationship with the past.